There has always been a close connection between the gospel music of the church and the blues of the Southern Delta. Ruthie Foster fuses those two styles with her brand of passionate and energetic vocals.<\/p>\n
Her two previous albums, The Truth According To Ruthie Foster <\/em>and Let It Burn, <\/em>were both nominated for Grammy <\/em>Awards in the Best Blues Album Category. Her new album, Promise Of A Brand New Day, <\/em>was released August 19th.<\/p>\n Her music can best be compared to that of a modernized Staple Singers, but with a little more straightforward power in the vocals. Whether cover songs or one of her seven originals, they carry strong and relevant messages that she conveys with the\u00a0strength of her voice.<\/p>\n She returns to her roots with a cover of the Staple Singers \u201cThe Ghetto.\u201d The song begins as a sultry electric guitar blues ballad and builds with an increasing intensity. \u201cSecond Coming\u201d is an Odetta type civil rights protest song. A simple melody and acoustic guitar allow her voice to soar.<\/p>\n Her own composition \u201cSinging The Blues,\u201d which is the album\u2019s lead track, is a soulful trip though the old world of rhythm and blues. Simple is many times best, as her a cappella version of \u201cBrand New Day\u201d demonstrates. \u201cIt Might Not Be Right,\u201d a\u00a0tune she wrote with William Bell, is her type of message song as it deals with the issue of gay marriage.<\/p>\n She has surrounded herself with a capable band consisting of bassist\/producer Meshell Ndegeocello, guitarist Chris Bruce, drummer Ivan Edwards, and keyboardist Jebin Bruni. Also on hand are guest vocalist Toshi Reagon and guitarist Doyle Bramhall II.<\/p>\n Ruthie Foster has continued her tradition of releasing powerful and relevant gospel and blues albums.\u00a0Promise Of A Brand New Day is<\/em>\u00a0music is from the heart, the pulpit, and the soul. It is music for today that draws on the traditions of the past.<\/p>\n","protected":false},"author":59,"featured_media":32086,"comment_status":"open","ping_status":"closed","template":"","meta":{"_acf_changed":false,"footnotes":""},"tags":[],"artist":[9475],"rating":[5617],"class_list":["post-43832","review","type-review","status-publish","has-post-thumbnail","artist-ruthie-foster","rating-rating-b-plus"],"acf":[],"_links":{"self":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review\/43832","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review"}],"about":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/types\/review"}],"author":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/users\/59"}],"replies":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/comments?post=43832"}],"version-history":[{"count":0,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review\/43832\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/media\/32086"}],"wp:attachment":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/media?parent=43832"}],"wp:term":[{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/tags?post=43832"},{"taxonomy":"artist","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/artist?post=43832"},{"taxonomy":"rating","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/rating?post=43832"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}