{"id":43890,"date":"2014-10-16T00:00:00","date_gmt":"2014-10-16T00:00:00","guid":{"rendered":"https:\/\/dailyvault.adishjain.in\/index.php\/reviews\/genius-loves-company-10th-anniversary-deluxe-edition\/"},"modified":"2014-10-16T00:00:00","modified_gmt":"2014-10-16T00:00:00","slug":"genius-loves-company-10th-anniversary-deluxe-edition","status":"publish","type":"review","link":"https:\/\/dailyvault.adishjain.in\/index.php\/reviews\/genius-loves-company-10th-anniversary-deluxe-edition\/","title":{"rendered":"Genius Loves Company (10th Anniversary Deluxe Edition)"},"content":{"rendered":"<p class=\"MsoNormal\"><i>Genius Loves Company <\/i>is the last studio album of Ray Charles\u2019 career. Recorded between June 2003 and March 2004, it was released in August 21 about three months after his death. <\/p>\n<p class=\"MsoNormal\">There is an old saying about always leaving them wanting more. <i>Genius Loves Company <\/i>reached number one on the <i>Billboard <\/i>album chart and sold in excess of three million copies. \u00a0It also won eight Grammy Awards,<i> <\/i>including Album Of The Year and Record Of The Year. <\/p>\n<p class=\"MsoNormal\">The album has now been reissued to celebrate its 10th<sup><\/sup> anniversary. There are two bonus tracks, plus a second disc titled \u201cThe Making Of <i>Genius Loves Company<\/i>.\u201d The one hour documentary features unreleased video from the actual recording sessions, interviews with some of the guest artists, and a history of the album\u2019s origins. However, no matter how much extra material is included, the original album remains the centerpiece as it was one of the stronger releases of Charles\u2019 long career. <\/p>\n<p class=\"MsoNormal\"><i>Genius Loves Company <\/i>is a disc of duets. Artists such as Willie Nelson, Johnny Mathis, Gladys Knight, James Taylor, Diana Krall, Bonnie Raitt, Elton John, and Norah Jones all team up with Charles with stellar results. <\/p>\n<p class=\"MsoNormal\">\u201cHere We Go Again\u201d with Norah Jones is one of those tracks that is just about perfect. It is two generations of rhythm and blues artists meeting in the middle. They both play keyboards and harmonize well together. The track won a Grammy<i> <\/i>for Best Pop Performance.<\/p>\n<p class=\"MsoNormal\">The other Grammy<i> <\/i>winning track (for Best Gospel Performance) was \u201cHeaven Help Us All\u201d featuring Gladys Knight. It is an elaborate production, with a full choir and horns to fill out the sound. The two artists trade vocal leads, which elevates the song. <\/p>\n<p class=\"MsoNormal\">Diana Krall has a very different vocal style than Ray Charles. He recorded the old Eddy Arnold song \u201cYou Don\u2019t Know Me\u201d for his break through <i>Modern Sounds In Country &#038; Western Music <\/i>LP<i> <\/i>back in 1962. Here, their vocals play off each other as they deliver a subtle and delicate rendition.<\/p>\n<p class=\"MsoNormal\">Willie Nelson and Ray Charles have joined forces in the past. Nelson has a world-weary voice that is perfect for \u201cIt Was A Very Good Year. There is an orchestral background, complete with strings that allow for a relaxed vocal delivery.<\/p>\n<p class=\"MsoNormal\">Bonnie Raitt helps take \u201cDo I Ever Cross Your Mind\u201d in a different direction with a slide guitar performance. The bluesy track is a good setting for them to trade vocals and harmonize.<\/p>\n<p class=\"MsoNormal\">The reissue of <i>Genius Loves Company <\/i>proves that good music is always good music. The additions are a nice touch, but if you own the original release, that may be enough. However, if you missed this album ten years ago, then it is a must listen.<\/p>\n","protected":false},"author":59,"featured_media":32141,"comment_status":"open","ping_status":"closed","template":"","meta":{"_acf_changed":false,"footnotes":""},"artist":[6747],"rating":[5613],"class_list":["post-43890","review","type-review","status-publish","has-post-thumbnail","artist-ray-charles","rating-rating-a-minus"],"acf":[],"_links":{"self":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review\/43890","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review"}],"about":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/types\/review"}],"author":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/users\/59"}],"replies":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/comments?post=43890"}],"version-history":[{"count":0,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review\/43890\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/media\/32141"}],"wp:attachment":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/media?parent=43890"}],"wp:term":[{"taxonomy":"artist","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/artist?post=43890"},{"taxonomy":"rating","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/rating?post=43890"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}