{"id":44077,"date":"2015-03-26T00:00:00","date_gmt":"2015-03-26T00:00:00","guid":{"rendered":"https:\/\/dailyvault.adishjain.in\/index.php\/reviews\/the-party-guest\/"},"modified":"2026-07-04T11:20:10","modified_gmt":"2026-07-04T11:20:10","slug":"the-party-guest","status":"publish","type":"review","link":"https:\/\/dailyvault.adishjain.in\/index.php\/reviews\/the-party-guest\/","title":{"rendered":"The Party Guest"},"content":{"rendered":"<p class=\"MsoNormal\">\u201cI must confess, I am a mess \/ you shouldn\u2019t want to be any part of this\u201d sings Bryan Gallo in the opening verse of \u201cAmber Lynn,\u201d the kick-off track of his solo debut <i>The Party Guest<\/i>, and he does more than sell the line\u2014he inhabits it. The narrator, like most of the characters in Gallo\u2019s wistful folk-rock tunes, is a damaged soul trying to do what he thinks is the right thing\u2014in this case, warning off a woman who\u2019s attracted to him, urging her to \u201csee somewhere there\u2019s a better man for you.\u201d<\/p>\n<p class=\"MsoNormal\">Gallo\u2019s vulnerable, plaintive vocals stand at the center of these smartly-crafted songs of romantic defeat. On this debut disc, singer-songwriter Gallo is supported by Americana \/ alt-country quartet Butchers Blind (Brian Reilly on bass, Paul Ciancaruso on drums, and Christopher Smith on keys, with guitarist-vocalist Pete Mancini doubling as producer), who frame each of these songs with quiet elegance and gentle precision. Imagine a string of early Jayhawks or quieter Lyle Lovett tunes and you\u2019re in the neighborhood.<\/p>\n<p class=\"MsoNormal\">\u201cWhere Wallflowers Bloom\u201d and \u201cWaitress On Call\u201d push a little harder, as Gallo\u2019s narrators employ their disheveled charms on a pair of potential paramours. The latter includes a line that feels like it dropped right out of the late-night coffee-shop singer-songwriter\u2019s little black book of come-ons: \u201cCome let your hair down long and help me sing this song \/ It ain\u2019t written yet, but if you stay with me, it might be written by the morning\u2026\u201d<\/p>\n<p class=\"MsoNormal\">After the quiet lament \u201cDestined To Never,\u201d things pick up again with the country-rock lilt of \u201cKarma,\u201d a tune that feels like it fell of the back end of <a href=\"https:\/\/dailyvault.adishjain.in\/index.php\/reviews\/hollywood-town-hall\/\"><i>Hollywood Town Hall<\/i><\/a>  (a compliment indeed). A little later on, \u201cAll These Pretty Girls\u201d reminds how effective Gallo\u2019s endearingly vulnerable voice can be singing a line like \u201cI\u2019ve gotta stop putting so much stock in all these pretty girls.\u201d <\/p>\n<p class=\"MsoNormal\">Highlights the rest of the way include the indelible piano melody of \u201cMoonlight Bay,\u201d the romantic-noir narrative of \u201cB Movie,\u201d and the sharp ensemble support offered by Butchers Blind on the steady-rocking \u201cOn The Way Down.\u201d<\/p>\n<p class=\"MsoNormal\">Closing things out with a nice symmetry, the title track finds Gallo singing \u201cSo when the party guests arrive tonight, I\u2019ll be the first one there \/ With roses waiting in my hand and a certain sense of despair.\u201d And indeed, our prescient narrator gets stood up by the woman he\u2019s semi-stalking, leaving him \u201cstupidly waiting on you knowing you\u2019d never show.\u201d<\/p>\n<p class=\"MsoNormal\"><i>The Party Guest <\/i>is a rather downcast affair, but Gallo manages to make despair appealing with his heart-on-the-sleeve vocals and thoughtful lyrics. Recommended for damaged romantics and glass-is-half-empty dreamers everywhere. <\/p>\n","protected":false},"author":12,"featured_media":32325,"comment_status":"open","ping_status":"closed","template":"","meta":{"_acf_changed":false,"footnotes":""},"artist":[9606],"rating":[5617],"class_list":["post-44077","review","type-review","status-publish","has-post-thumbnail","artist-bryan-gallo","rating-rating-b-plus"],"acf":[],"_links":{"self":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review\/44077","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review"}],"about":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/types\/review"}],"author":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/users\/12"}],"replies":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/comments?post=44077"}],"version-history":[{"count":0,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review\/44077\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/media\/32325"}],"wp:attachment":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/media?parent=44077"}],"wp:term":[{"taxonomy":"artist","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/artist?post=44077"},{"taxonomy":"rating","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/rating?post=44077"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}