{"id":44095,"date":"2015-04-15T00:00:00","date_gmt":"2015-04-15T00:00:00","guid":{"rendered":"https:\/\/dailyvault.adishjain.in\/index.php\/reviews\/invitation-to-openness-cd-reissue\/"},"modified":"2015-04-15T00:00:00","modified_gmt":"2015-04-15T00:00:00","slug":"invitation-to-openness-cd-reissue","status":"publish","type":"review","link":"https:\/\/dailyvault.adishjain.in\/index.php\/reviews\/invitation-to-openness-cd-reissue\/","title":{"rendered":"Invitation To Openness (CD reissue)"},"content":{"rendered":"<p class=\"MsoNormal\">Les McCann is a jazz\/soul pianist whose career has reached the 55 years mark. When he released <i>Invitation To Openness <\/i>in 1972, he was a veteran of close to 25 albums. This album, which fused a jazz improvisational approach with soulful rhythms, has now been remastered and reissued with a live bonus track. <\/p>\n<p class=\"MsoNormal\">McCann is a pianist\/keyboardist with a very light touch. His ability to string notes together while exploring a melody puts him squarely in the jazz improvisation category.\u00a0 His exploration of rhythm and blues patterns, movements, and sounds within a jazz context make his approach to music not only unique but extremely creative.<\/p>\n<p class=\"MsoNormal\">McCann is joined by a stellar group of musicians including Yusef Lateef (sax, oboe, and flute), David Spinozza (guitar), Bernard Purdie (drums), Jimmy Rowser (bass), and Corky Hale (harp).\u00a0 They form a surprisingly effective unit considering they were assembled specifically for this album.<\/p>\n<p class=\"MsoNormal\">McCann\u2019s approach is one of feelings and ideas rather than well-crafted and finished songs. \u201cThe Lovers,\u201d which took up the entire first side of the original vinyl release, is essentially a 26 minute improvisational piece. It builds slowly as Purdie and Rowser establish a subtle bass\/drum foundation. McCann\u2019s approach is almost mythological as his fingers skim the keys. Hale\u2019s harp is the counter point and keeps the song grounded in the present. <\/p>\n<p class=\"MsoNormal\">\u201cBeaux J. Poo Poo\u201d was recorded in 1965 as a fairly short acoustic piece.\u00a0 Now it returns in an elongated form with a gritty electric guitar bouncing off McCann\u2019s keyboards as Lateff\u2019s flute floats above the mix. <\/p>\n<p class=\"MsoNormal\">Lateef returns on \u201cPoo Pye McGoochie\u201d but this time provides a sax solo. Purdie\u2019s drum solo near the end is the perfect bookend for McCann.<\/p>\n<p class=\"MsoNormal\">The bonus track is a 1975 live version of \u201cCompared To What.\u201d The song was written by soul singer Eugene Daniels and has been recorded by well over 250 artists, including well-known versions by Roberta Flack and Ray Charles.\u00a0 Originally recorded with Eddie Harris, it is now presented on steroids with a double sax attack of Klaus Doldinger and Jimmie Griffin, plus blistering guitar lines by Philip Catherine. <\/p>\n<p>  <i>Invitation To Openness <\/i>is one of the more creative stops in Les McCann\u2019s long career. It remains one of the more creative releases of its era as it joins together two distinctive styles of music.<\/p>\n","protected":false},"author":59,"featured_media":32343,"comment_status":"open","ping_status":"closed","template":"","meta":{"_acf_changed":false,"footnotes":""},"artist":[9618],"rating":[5617],"class_list":["post-44095","review","type-review","status-publish","has-post-thumbnail","artist-les-mccann","rating-rating-b-plus"],"acf":[],"_links":{"self":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review\/44095","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review"}],"about":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/types\/review"}],"author":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/users\/59"}],"replies":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/comments?post=44095"}],"version-history":[{"count":0,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review\/44095\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/media\/32343"}],"wp:attachment":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/media?parent=44095"}],"wp:term":[{"taxonomy":"artist","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/artist?post=44095"},{"taxonomy":"rating","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/rating?post=44095"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}