Dion DiMucci will probably always be remembered for his series of hits during the late 1950s and early 1960s with (and without) the Belmonts. Songs such as \u201cThe Wanderer,\u201d \u201cA Teenager In Love,\u201d \u201cLovers Who Wander,\u201d \u201cRuby Baby,\u201d \u201cDonna The Prima Donna,\u201d and the number one \u201cRunaround Sue\u201d were some of the best and catchiest tunes of the pre-Beatles era. As with many artists, the hits came to a halt with the advent of the British Invasion. <\/p>\n
The second part of his career began when his late 1968 release \u201cAbraham, Martin And John\u201d became a huge hit single. During the course of the next seven years, he released five albums for the Warner Brothers label that were simplistic and folk-oriented. <\/p>\n
His third album for the label, Sanctuary, <\/i>contained three live tracks from a 1971 performance at the Bitter End Club in New York City. The rest of that live set sat in the vaults until now as the complete concert has finally been released.<\/p>\n
This is not the Dion of the early phase of his career. He accompanies himself with just his guitar. The song selection is from the folk songbook of the day. The music ranges from straight folk to a real bluesy feel. His covers run the gamut from Bob Dylan\u2019s \u201cOne Too Many Mornings\u201d to the Beatles \u201cBlackbird,\u201d to Lightning Hopkins \u201cDrinkin\u2019 That Wine\u201d to Leonard Cohen\u2019s \u201cSisters Of Mercy.\u201d He even reaches back into his past for acoustic versions of \u201cRuby Baby\u201d and \u201cThe Wanderer.\u201d <\/p>\n
It all adds up to a gentle, if somewhat dated approach. The emphasis is on the lyrics. In some ways his voice is a little too smooth for a folk artist, but it was a wonderful instrument back in the early 1970s. <\/p>\n
Recorded Live At The Bitter End August 1971 <\/i>is a nice trip back in time to a far different era. It presents an artist making a career change toward music that mattered at the time.<\/p>\n","protected":false},"author":59,"featured_media":32350,"comment_status":"open","ping_status":"closed","template":"","meta":{"_acf_changed":false,"footnotes":""},"artist":[8367],"rating":[5617],"class_list":["post-44103","review","type-review","status-publish","has-post-thumbnail","artist-dion","rating-rating-b-plus"],"acf":[],"_links":{"self":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review\/44103","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review"}],"about":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/types\/review"}],"author":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/users\/59"}],"replies":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/comments?post=44103"}],"version-history":[{"count":0,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review\/44103\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/media\/32350"}],"wp:attachment":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/media?parent=44103"}],"wp:term":[{"taxonomy":"artist","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/artist?post=44103"},{"taxonomy":"rating","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/rating?post=44103"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}