{"id":44215,"date":"2015-08-08T00:00:00","date_gmt":"2015-08-08T00:00:00","guid":{"rendered":"https:\/\/dailyvault.adishjain.in\/index.php\/reviews\/see-you-on-the-other-side-2\/"},"modified":"2015-08-08T00:00:00","modified_gmt":"2015-08-08T00:00:00","slug":"see-you-on-the-other-side-2","status":"publish","type":"review","link":"https:\/\/dailyvault.adishjain.in\/index.php\/reviews\/see-you-on-the-other-side-2\/","title":{"rendered":"See You On The Other Side"},"content":{"rendered":"<p class=\"MsoNoSpacing\">On their third record and first without frontman David Baker, New York\u2019s Mercury Rev turned in one of their most unique and almost accessible releases to date. Jonathan Donahue takes over vocals and his style really helps brings the songs to life. The rest of the band \u2013 guitarist Grasshoper, flautist Suzanne Thorpe, drummer Jimy Chambers and multi-instrumentalist Dave Fridmann \u2013 really sound like a tight, cohesive unit and the songs sound good and extremely different.<\/p>\n<p class=\"MsoNoSpacing\">The seven-minute opener \u201cEmpire State (Son House In Excelsis)\u201d is an atypical Rev track; the first couple of minutes pass like a great pop song with some great flute work, but then it dissolves into a heavy, full-on rock assault with some great drumming from Chambers. On the other extreme hand, \u201cClose Encounters Of The 3rd Grade\u201d sounds like one of those \u201890s workout dance tracks that one hears at Gold\u2019s Gym at 10 in the morning. \u201cYoung Man\u2019s Stride\u201d sounds like one of the great lost alternative rock radio hits of the time period. Very heavy, very straightforward, it stands as one of the best tracks on the record.<\/p>\n<p class=\"MsoNoSpacing\">\u201cEverlasting Arm\u201d was one of the main tracks that critics picked up on back in 1995, but twenty years later, it comes across as average and not really much of a standout. \u201cSudden Ray Of Hope,\u201d however, is one of those dreamy, almost shoegaze type tracks that the band reveled in during their heyday. <\/p>\n<p class=\"MsoNoSpacing\">Many people look at the follow-up, 1998\u2019s <i>Deserter\u2019s Songs<\/i> as the definitive Rev release, but this one is the one that made its follow-up possible. <i>See You On The Other Side<\/i> juts out into different genres and is willing to experiment all over the place, showing that the band was incredibly comfortable in their own skin.<\/p>\n","protected":false},"author":91,"featured_media":32456,"comment_status":"open","ping_status":"closed","template":"","meta":{"_acf_changed":false,"footnotes":""},"artist":[9684],"rating":[5615],"class_list":["post-44215","review","type-review","status-publish","has-post-thumbnail","artist-mercury-rev","rating-rating-b"],"acf":[],"_links":{"self":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review\/44215","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review"}],"about":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/types\/review"}],"author":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/users\/91"}],"replies":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/comments?post=44215"}],"version-history":[{"count":0,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review\/44215\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/media\/32456"}],"wp:attachment":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/media?parent=44215"}],"wp:term":[{"taxonomy":"artist","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/artist?post=44215"},{"taxonomy":"rating","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/rating?post=44215"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}