{"id":44300,"date":"2015-11-02T00:00:00","date_gmt":"2015-11-02T00:00:00","guid":{"rendered":"https:\/\/dailyvault.adishjain.in\/index.php\/reviews\/street-dogs\/"},"modified":"2015-11-02T00:00:00","modified_gmt":"2015-11-02T00:00:00","slug":"street-dogs","status":"publish","type":"review","link":"https:\/\/dailyvault.adishjain.in\/index.php\/reviews\/street-dogs\/","title":{"rendered":"Street Dogs"},"content":{"rendered":"<p class=\"MsoNormal\">You know how some records just ooze cool? This is one of them, and it&#8217;s an autumn delight.<\/p>\n<p class=\"MsoNormal\">The six-man jam band recorded this disc live in the studio, with only minimal overdubs added, and most of the songs are the first takes attempted. Moreover, the &#8220;studio&#8221; was once a church, which contributes to the huge sound here. Finally, the drummer for this project is Duane Trucks, younger brother of Allman Brother Butch.\u00a0<\/p>\n<p class=\"MsoNormal\">All of this would be moot if the songs didn&#8217;t deliver, but do they ever, with swagger and grit to spare. Nominally, Widespread Panic is Southern blues-rock-jam-country, and this is one of their finest offerings to date and a hell of a rock album. There&#8217;s not a lot of subtlety, and not one song is shorter than four and a half minutes, with several over six. It&#8217;s just fun.<\/p>\n<p class=\"MsoNormal\">It is admittedly classicist, too, with hints of <i>Dark Side of the Moon<\/i>, Traffic&#8217;s &#8220;The Low Spark of High-Heeled Boys,&#8221; many other blues-rock bands of the last 40 years, and the group&#8217;s Southern rock forefathers (Allmans and Skynyrd, naturally). But the 10 songs are modern and intoxicating, leaving nobody left behind in their musical scope.<\/p>\n<p class=\"MsoNormal\">&#8220;Sell Sell&#8221; is all attitude and smoking guitar &#8211; all hail the guitar solo, it will never get old &#8211; and &#8220;Steven&#8217;s Cat&#8221; is more subdued (not quite stoner rock, but getting there) but infused with soul in John Bell&#8217;s voice and the life-affirming solo that ends the song. &#8220;Cease Fire&#8221; tries for a vague Latin feel in the congas and Santana allusions before veering off into what sounds like a cover of Pink Floyd&#8217;s &#8220;Breathe,&#8221; which surprisingly works well thanks to the guitar punctuation. &#8220;Angels Don&#8217;t Sing the Blues&#8221; is along the same lines but with a strong jazz guitar inflection during the instrumental parts; once it&#8217;s over, you wonder if there&#8217;s anything Jimmy Herring can&#8217;t do, or at least why he&#8217;s not more of a household name.<\/p>\n<p class=\"MsoNormal\">&#8220;Honky Red&#8221; lowers itself into the grime, a gritty blues-rocker where you feel Bell&#8217;s words and almost will the guitar solo to set you free, which of course it does, if only for a moment. Music does that. The song is a cover, actually, but one the band has torn up live as of late, and as it winds to a close the hints of Neil Young&#8217;s Crazy Horse filter through to add dimension.<\/p>\n<p class=\"MsoNormal\">Following that song would be tough, and the next three songs all lean hard into modern country-rock (think Zac Brown Band) but offer diminishing results; only the snarling &#8220;Tail Dragger&#8221; is worth a repeat listen for how Bell channels his gut into each word, sounding a bit like John Fogerty on CCR&#8217;s &#8220;Born on the Bayou.&#8221; And while closer &#8220;Street Dogs for Breakfast&#8221; closes the disc with a shrug, it&#8217;s a fun bar band boogie that unwinds the crowd before last call.<\/p>\n<p class=\"MsoNormal\">A guitar album of the highest order, <i>Street Dogs <\/i>takes you where you need to go and kicks your ass on the way there, but buys you a beer afterward. Not many albums have done that this year. Check it out.<\/p>\n","protected":false},"author":45,"featured_media":32537,"comment_status":"open","ping_status":"closed","template":"","meta":{"_acf_changed":false,"footnotes":""},"artist":[9732],"rating":[5615],"class_list":["post-44300","review","type-review","status-publish","has-post-thumbnail","artist-widespread-panic","rating-rating-b"],"acf":[],"_links":{"self":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review\/44300","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review"}],"about":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/types\/review"}],"author":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/users\/45"}],"replies":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/comments?post=44300"}],"version-history":[{"count":0,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review\/44300\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/media\/32537"}],"wp:attachment":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/media?parent=44300"}],"wp:term":[{"taxonomy":"artist","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/artist?post=44300"},{"taxonomy":"rating","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/rating?post=44300"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}