{"id":44385,"date":"2016-01-23T00:00:00","date_gmt":"2016-01-23T00:00:00","guid":{"rendered":"https:\/\/dailyvault.adishjain.in\/index.php\/reviews\/seal-1994\/"},"modified":"2016-01-23T00:00:00","modified_gmt":"2016-01-23T00:00:00","slug":"seal-1994","status":"publish","type":"review","link":"https:\/\/dailyvault.adishjain.in\/index.php\/reviews\/seal-1994\/","title":{"rendered":"Seal (1994)"},"content":{"rendered":"<p class=\"MsoNormal\">Bring it on.<\/p>\n<p class=\"MsoNormal\">So says Seal in the opening track to his sophomore disc, which continues the themes of his debut (also called\u00a0<i>Seal<\/i>) but with slightly more maturing and slightly less energy than before. This was the disc that made Seal a true household name, with three big hits surrounded by pop-soul tracks that are alternately reflective and danceable.<\/p>\n<p class=\"MsoNormal\">Seal\u2019s voice is powerful and magnetic and helps sell even mundane songs, so producer\/collaborator Trevor Horn keeps up with big production, catchy beats and clever hooks, such as the funky breakdown partway through \u201cBring It On\u201d and the multitracked vocal rings that open \u201cKiss From A Rose.\u201d The dark, driving dance-pop of \u201cPrayer For The Dying\u201d would have been mediocre for many other pop singers, but the echo in Seal\u2019s voice and his conviction really brings the song home; combined with the effortlessly catchy \u201cBring it On,\u201d the opening punch of this disc delivers with every bit of confidence.<\/p>\n<p class=\"MsoNormal\">\u201cDon\u2019t Cry\u201d lends another dimension to Seal\u2019s sound; a moody synth backdrop lending atmosphere to the words before an acoustic guitar comes in, Seal\u2019s hushed vocal about days gone by gripping the listener before he and the drums explode into the chorus. Seal seems to understand that power doesn\u2019t always equal volume or multi-note vocal runs, and his pitch-perfect delivery makes the song one of his best.<\/p>\n<p class=\"MsoNormal\">\u201cKiss From A Rose,\u201d however, is what brought this album and Seal crashing into the public even more than \u201cCrazy\u201d had three years prior. The song is fine, with strings and voice intertwining over a neo-soul beat, all immaculately produced, not really a song fit for a cartoonish Batman movie but one that was used over the end credits of\u00a0<i>Batman Forever<\/i>. That not only put the song back in the charts a second time but pushed it to No. 1, spawned many cover versions and was used as the theme for a season of\u00a0<i>The Bachelor<\/i>, so its media saturation may have soured many on the song. Listened to in the context of the album, it retains the same grace and power as the rest of the music and will stand the test of time.<\/p>\n<p class=\"MsoNormal\">Seal\u2019s wide-eyed optimism is tempered with occasional bursts of realism so it doesn\u2019t come off as corny, but with a voice like this one wishes a song like \u201cPeople Asking Why\u201d said more than it does. And like the debut, when the music doesn\u2019t match up to the voice, the results are pretty forgettable, as on \u201cNewborn Friend,\u201d \u201cDreaming in Metaphors\u201d and the all-over-the-place \u201cFast Changes.\u201d Better is \u201cIf I Could,\u201d which uses a slower beat, sparse instrumentation and a muted but effective guitar solo to great effect; the biggest surprise is the arrival of Joni Mitchell, arriving halfway through the song for a duet.<\/p>\n<p><i>Seal\u00a0<\/i>is every bit as good as the debut and remains a career highlight for the man.<\/p>\n","protected":false},"author":45,"featured_media":32622,"comment_status":"open","ping_status":"closed","template":"","meta":{"_acf_changed":false,"footnotes":""},"tags":[],"artist":[6091],"rating":[5617],"class_list":["post-44385","review","type-review","status-publish","has-post-thumbnail","artist-seal","rating-rating-b-plus"],"acf":[],"_links":{"self":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review\/44385","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review"}],"about":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/types\/review"}],"author":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/users\/45"}],"replies":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/comments?post=44385"}],"version-history":[{"count":0,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review\/44385\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/media\/32622"}],"wp:attachment":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/media?parent=44385"}],"wp:term":[{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/tags?post=44385"},{"taxonomy":"artist","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/artist?post=44385"},{"taxonomy":"rating","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/rating?post=44385"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}