Patrick Moraz is a classically trained keyboardist who, despite releasing 20 solo album of progressive and fusion rock, is best remembered for his stints with Yes (1974-1976) and The Moody Blues (1978-1990). <\/p>\n
Drummer Greg Alban has been a friend and professional compatriot of Moraz for 30 years and they have finally recorded an album together as the Moraz Alban Project.<\/p>\n
Moraz is the driving force as he wrote, arranged, and co-produced the nine tracks. When he is not confined to the structures of a band over which he has little control, he tends to exhibit a creative streak, which pushes his music in a number of directions \u2013 sometimes on the same album. While this may not always lead to cohesive releases, it does lead to interesting ones, especially if you are an aficionado of keyboards or progressive rock.<\/p>\n
My favorite tracks tend to be the ones with just Moraz and Alban. Drum and keyboard duets have existed primarily in jazz music, but Moraz takes the form in a different direction with his majestic approach. \u201cAlien Species\u201d is the most avant-garde track as it is Alban giving a cymbal clinic, which is a foundation for Moraz to build his melodies. \u201cJazz In The Night\u201d finds both instruments playing off of each other. \u201cThe Drums Also Solo\u201d is keyboards versus percussion as they challenge each other on several levels, until finally blending together.<\/p>\n
The other tracks have more of a band feel as other instruments are introduced. \u201cJungle Aliens\u201d thunders as Lenny Castro adds conga\u2019s to the mix. \u201cCanyon Afternoon\u201d and \u201cThe Reel Feel\u201d fall into a progressive sound as Moraz takes center position and allows the sound to revolve around him. <\/p>\n
When Patrick Moraz conceived and wrote the music for this album, he adapted it to a drummer being his partner. The result is music that travels in a different direction and is worthwhile exploring.<\/p>\n","protected":false},"author":59,"featured_media":32500,"comment_status":"open","ping_status":"closed","template":"","meta":{"_acf_changed":false,"footnotes":""},"artist":[9709],"rating":[5615],"class_list":["post-44404","review","type-review","status-publish","has-post-thumbnail","artist-moraz-alban-project","rating-rating-b"],"acf":[],"_links":{"self":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review\/44404","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review"}],"about":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/types\/review"}],"author":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/users\/59"}],"replies":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/comments?post=44404"}],"version-history":[{"count":0,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review\/44404\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/media\/32500"}],"wp:attachment":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/media?parent=44404"}],"wp:term":[{"taxonomy":"artist","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/artist?post=44404"},{"taxonomy":"rating","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/rating?post=44404"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}