Back in 2013, Marshall Crenshaw embarked on an artistically creative journey. During the next two and a half years, he released six three-track vinyl EPs.\u00a0 Each record contained one new song, one cover song, and one song from his vast catalogue that he re-recorded. Now, the original material and the cover songs have been combined with a live track and an early demo to form the album #392: The EP Collection.<\/i><\/p>\n
Marshall Crenshaw has always been an underappreciated artist and for the turntable impaired, it is good to have this material available on CD for the first time.<\/p>\n
Interestingly, the six original tunes lead off the album, and while they contain his sense of wry humor set to solid melodies, there is a sameness that was not apparent in the extended CD series. <\/p>\n
The best of the new material is the poignant \u201cGrab The Next Train\u201d and the memorable \u201cDriving And Dreaming\u201d with its lyrical beauty. The cover tunes travel a more diverse journey. He resurrects the Carpenters hit \u201cClose To You\u201d and then rocks on the forgotten Bobby Fuller Four gem \u201cNever To Be Forgotten.\u201d Throw in the Lovin\u2019 Spoonful\u2019s \u201cDidn\u2019t Want To Have To Do It\u201d and you have the beginnings of a group of songs molded into his musical image. <\/p>\n
Making its debut is a rocking live version of the Everly Brothers \u201cMan With Money,\u201d which Crenshaw transforms from smooth pop to a powerful cover.<\/p>\n
For the last three plus decades, Marshall Crenshaw has issued some of the best rock music on the American music scene. While most of the music contained in #392: The EP Collection <\/i>has been around for a couple of years, its release on CD will make it available to a wider audience. It may not push the boundaries of his musical vision but it is well worth a listen.<\/p>\n","protected":false},"author":59,"featured_media":32665,"comment_status":"open","ping_status":"closed","template":"","meta":{"_acf_changed":false,"footnotes":""},"tags":[],"artist":[6252],"rating":[5615],"class_list":["post-44434","review","type-review","status-publish","has-post-thumbnail","artist-marshall-crenshaw","rating-rating-b"],"acf":[],"_links":{"self":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review\/44434","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review"}],"about":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/types\/review"}],"author":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/users\/59"}],"replies":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/comments?post=44434"}],"version-history":[{"count":0,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review\/44434\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/media\/32665"}],"wp:attachment":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/media?parent=44434"}],"wp:term":[{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/tags?post=44434"},{"taxonomy":"artist","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/artist?post=44434"},{"taxonomy":"rating","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/rating?post=44434"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}