{"id":44880,"date":"2017-04-14T00:00:00","date_gmt":"2017-04-14T00:00:00","guid":{"rendered":"https:\/\/dailyvault.adishjain.in\/index.php\/reviews\/new-morning-3\/"},"modified":"2017-04-14T00:00:00","modified_gmt":"2017-04-14T00:00:00","slug":"new-morning-3","status":"publish","type":"review","link":"https:\/\/dailyvault.adishjain.in\/index.php\/reviews\/new-morning-3\/","title":{"rendered":"New Morning"},"content":{"rendered":"<p class=\"Standard\">When Bob Dylan&#8217;s oft-reviled double-album <i>Self-Portrait<\/i> hit store shelves in 1970, the record-buying public (and Dylan&#8217;s fan base) was heard to utter a collective groan. Four brief months later, Dylan followed it up with <i>New Morning<\/i>, a supposed return-to-form.<\/p>\n<p class=\"Standard\">The problem is, what form was he returning to? The folk revival was undergoing massive changes, and Dylan had switched gears into a country croon two albums prior. But he was now abandoning even this sound, and it almost seems as if he was asking himself, \u201cWell, <b><i>now<\/i><\/b> what?!?\u201d<\/p>\n<p class=\"Standard\"><i>New Morning<\/i> is a musical snapshot of that loss of direction. If listeners were thrown for a loop by <i>Self Portrait<\/i>, they might be surprised just how disjointed this particular album is \u2013 in some ways, it&#8217;s worse than its predecessor.<\/p>\n<p class=\"Standard\">It starts off pretty enough with \u201cIf Not For You,\u201d a song which (like many of Dylan&#8217;s compositions) would find greater fame when performed by other artists. Still, this version is nice and light, though one immediately hears that the crooning vocals Dylan used on <i>Nashville Skyline<\/i> are gone, and are being replaced by the nasally tone that people had come to know. It&#8217;s almost as if this track is a transition between the laid-back country feeling and Dylan&#8217;s dive straight into the abyss.<\/p>\n<p class=\"Standard\">The bulk of <i>New Morning<\/i> is a hodgepodge of songs that, while good, don&#8217;t quite know which musical direction they want to go; there\u2019s the good (\u201cWinterlude,\u201d \u201cNew Morning\u201d), the average (\u201cOne More Weekend,\u201d \u201cSign On The Window\u201d) and the just plain awful (\u201cDay Of The Locusts\u201d).<\/p>\n<p class=\"Standard\">And then, there&#8217;s \u201cIf Dogs Run Free,\u201d one of two spoken-word numbers Dylan performs. Had it simply been left as a spoken-word piece like \u201cThree Angels\u201d was, it would have been passable. However, add in the scat-from-hell vocals of Maeretha Stewart in the background, sounding like a cat whose tail is caught in the blender, and you may find yourself saying what I did when I first listened to this: \u201cWhat the fuck was <b><i><u>that<\/u><\/i><\/b>?!?\u201d<\/p>\n<p class=\"Standard\">It&#8217;s understandable that Dylan was still adrift, trying to rediscover himself after his hiatus (be it forced or self-imposed) following his motorcycle accident in 1966. He ditched the protest folk-singing style and moved to a more controlled, countryfied sound for a while; now he was ditching that and trying to find where he belonged musically. Some say he wouldn&#8217;t find that until he released <i>Blood On The Tracks<\/i> in 1975; others think <i>Planet Waves<\/i> might have been that turning point. Whatever the case, <i>New Morning<\/i> is so tentative that one wishes Dylan had turned the alarm off on his career, rolled over and stayed in bed a little while longer.<\/p>\n","protected":false},"author":2,"featured_media":29164,"comment_status":"open","ping_status":"closed","template":"","meta":{"_acf_changed":false,"footnotes":""},"artist":[5866],"rating":[11204],"class_list":["post-44880","review","type-review","status-publish","has-post-thumbnail","artist-bob-dylan","rating-rating-c-minus"],"acf":[],"_links":{"self":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review\/44880","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review"}],"about":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/types\/review"}],"author":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/comments?post=44880"}],"version-history":[{"count":0,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review\/44880\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/media\/29164"}],"wp:attachment":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/media?parent=44880"}],"wp:term":[{"taxonomy":"artist","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/artist?post=44880"},{"taxonomy":"rating","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/rating?post=44880"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}