{"id":44881,"date":"2017-04-11T00:00:00","date_gmt":"2017-04-11T00:00:00","guid":{"rendered":"https:\/\/dailyvault.adishjain.in\/index.php\/reviews\/lock-up-your-daughters\/"},"modified":"2017-04-11T00:00:00","modified_gmt":"2017-04-11T00:00:00","slug":"lock-up-your-daughters","status":"publish","type":"review","link":"https:\/\/dailyvault.adishjain.in\/index.php\/reviews\/lock-up-your-daughters\/","title":{"rendered":"Lock Up Your Daughters"},"content":{"rendered":"<p class=\"Standard\">You&#8217;d think I would have learned my lesson. After listening to <i>Blitzkrieg On Birmingham &#8217;77<\/i>, you&#8217;d think I&#8217;d recognize that any live Mot\u00f6rhead show released on Receiver Records was bound to be a pseudo-bootleg with poor sound, questionable cuts and the overall feeling like I should reach into my wallet and send Lemmy Kilmister a $20 bill just for even listening to this shit \u2013 &#8217;cause chances are no one in the band is seeing a dime from these.<\/p>\n<p class=\"Standard\">Yet, on the back of <i>Lock Up Your Daughters<\/i> \u2013 which, along with the aforementioned disaster, were both repackaged into the two-disc set <i>Keep Us On The Road<\/i> in 2002 \u2013 is a claim that this particular concert was recorded off of the sound desk, and was released with the permission of the band.<\/p>\n<p class=\"Standard\">As for that latter claim, two words: My arse.<\/p>\n<p class=\"Standard\">There is no way Lemmy, \u201cFast\u201d Eddie Clarke and \u201cPhilthy Animal\u201d Taylor would have okay&#8217;ed the release of a live show featuring a sudden, unexplained cut in the middle of \u201cIron Horse (Born To Lose)\u201d or the sound going straight down the crapper on the disc closer \u201cInstro\u201d (though this could well be the first time the latter was ever released live).<\/p>\n<p class=\"Standard\">Granted, <i>Lock Up Your Daughters<\/i> does have a slightly better sound overall than its predecessor, and it is interesting to hear early live versions of \u201cI&#8217;ll Be Your Sister\u201d and \u201cTear Ya Down,\u201d so this disc at least has some different material. Other than that, it&#8217;s the same story: an early Mot\u00f6rhead concert recorded with sub-primitive equipment, resulting in a sound which makes one think the master tapes have been in the bottom of the canary cage for several years.<\/p>\n<p class=\"Standard\">Look, I have no problem with bootlegs (though I know several artists who would like to, ah, \u201cdiscuss\u201d this in a dark alley with me), but when I listen to a bootleg, I know that the overall sound is going to be a crap shoot. But when I drop coin on a disc which claims to be authorized by the band, I don&#8217;t necessarily expect to hear something that sounds like it was recorded by the Rolling Stones Mobile studio, but I sure don&#8217;t expect it to be so much sonic sludge.<\/p>\n<p class=\"Standard\"><i>Lock Up Your Daughters<\/i> is admittedly a better release, albeit slightly, than <i>Blitzkrieg On Birmingham &#8217;77<\/i>, and there is some historical significance to this disc. But, like its predecessor on this label (and, thankfully, the last), this is one for the diehard collector only.<\/p>\n","protected":false},"author":2,"featured_media":33092,"comment_status":"open","ping_status":"closed","template":"","meta":{"_acf_changed":false,"footnotes":""},"artist":[5666],"rating":[11205],"class_list":["post-44881","review","type-review","status-publish","has-post-thumbnail","artist-motorhead","rating-rating-d-plus"],"acf":[],"_links":{"self":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review\/44881","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review"}],"about":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/types\/review"}],"author":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/comments?post=44881"}],"version-history":[{"count":0,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review\/44881\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/media\/33092"}],"wp:attachment":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/media?parent=44881"}],"wp:term":[{"taxonomy":"artist","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/artist?post=44881"},{"taxonomy":"rating","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/rating?post=44881"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}