{"id":44962,"date":"2017-06-06T00:00:00","date_gmt":"2017-06-06T00:00:00","guid":{"rendered":"https:\/\/dailyvault.adishjain.in\/index.php\/reviews\/under-a-blood-red-sky\/"},"modified":"2017-06-06T00:00:00","modified_gmt":"2017-06-06T00:00:00","slug":"under-a-blood-red-sky","status":"publish","type":"review","link":"https:\/\/dailyvault.adishjain.in\/index.php\/reviews\/under-a-blood-red-sky\/","title":{"rendered":"Under A Blood Red Sky"},"content":{"rendered":"<p class=\"MsoNormal\">Although there is no lack of U2 concert DVDs, including seemingly one for every tour from 1988 forward, there are precious few live CDs, which seems unusual for such a globally popular and huge band with 37 years of touring under its belt. To be sure, part of the band\u2019s appeal is seeing the show, not just whatever the props for the show are but in Bono and The Edge working the crowd while Adam \u201cCoat Rack\u201d Clayton stands off to the side. So perhaps the band feels a little of this is lost in the translation to CD and hasn\u2019t thought to release a lot of shows over the years; pretty much all that exists are the documents from the band\u2019s \u201880s period.<\/p>\n<p class=\"MsoNormal\">The first of those is the strong yet brief eight-track <i>Under A Blood Red Sky<\/i>, which was the point post-<i>War <\/i>where the Irish quartet began to conquer America. Ridiculous mullet and political agitprop already in place, Bono worked the stage at Red Rocks in Colorado on that night and the band won the crowd with its energetic post-punk set. Listening to it with fresh ears reveals the moody beating heart of this band; stripped of pretensions and the weight of history and expectation, this is startlingly raw, just four young dudes and a brace of raw post-punk classics. And yes, the songs here were taken from shows in Colorado, Boston, and Germany, but the indelible image associated with the show (and the accompanying VHS) is the Red Rocks amphitheater. <\/p>\n<p class=\"MsoNormal\">And sure, we all love the stadium-size stagecraft of <i>Rattle And Hum<\/i>, the overkill of the \u201890s with giant lemons, makeup-infested characters like Macphisto, enormous screens and claws, gigantic ballads that tens of thousands people at once can sing along to, and that\u2019s all part of the Globally Popular and Beloved\/Hated Band saga. But sometimes you just want the music, the basics, and on these eight powerful songs, U2 delivers. To some fans, this is the band\u2019s peak era (1980-83) simply because it\u2019s so free of bullshit.<\/p>\n<p class=\"MsoNormal\">To be sure, this is the definitive live version of \u201cSunday Bloody Sunday.\u201d Larry Mullen\u2019s staccato military drums take on desperate new life in the live setting, Bono\u2019s impassioned vocals sound more authentic than even the studio version (his chorus lead-in \u201cI\u2019m so sick of it\u201d sounds scarily genuine), and The Edge provides fine backup vocals. You forget just how important he was as the harmony vocalist to Bono sometimes given the latter\u2019s stature in the following years, but on all the songs here that voice is a necessary counterweight that gives the songs depth. Witness also the \u201cWipe your tears away\u201d bridge portion of the song, which Mullen turns into a military march, led by Bono\u2019s cadence and the crowd singalong. It\u2019s one of the band\u2019s finest moments in all 37 years. Not for nothing did <i>Rolling Stone <\/i>name this as one of the 50 moments that changed rock and roll. <\/p>\n<p class=\"MsoNormal\">The song selection is inspired as well, touching on both early crowd-pleasers (\u201cNew Year\u2019s Day,\u201d \u201cGloria,\u201d \u201cI Will Follow\u201d) and a couple of lesser-known album\/single cuts (\u201cThe Electric Co.,\u201d \u201cParty Girl,\u201d \u201c11 O\u2019Clock Tick Tock\u201d). There\u2019s a certain visceral thrill as the album barrels along, especially on the second side\/half. It reaches a climax with a wised-up, forever-reaching-but-not-arriving \u201cNew Year\u2019s Day\u201d and then a sober, sweet singalong take on \u201c40\u201d to close out the disc. <\/p>\n<p class=\"MsoNormal\">If there\u2019s any gripe, it\u2019s the brevity of the disc, particularly in 2017. The original VHS that came out at the time had 12 songs on it; the upgraded concert DVD had all 17 tracks, yet the eight-song disc is still the only one that exists. Nitpicking the song choice is something for the fans, I suppose, but I have to think dropping \u201c11 O\u2019Clock Tick Tock\u201d in favor of \u201cSeconds\u201d or \u201cI Threw A Brick Through A Window\u201d would have strengthened this a little more. That said, if you enjoy the disc as is, seek out the DVD to get the rest of the show.<\/p>\n<p class=\"MsoNormal\">I read a review of the <i>Popmart <\/i>concert DVD a while back wherein the writer decried the audacity of the show and said the most moving moment was on \u201cPlease,\u201d which dialed back the histrionics in favor of a relatively simple song sung by men asking for peace. Imagine that sentiment throughout a whole concert and you\u2019ve got the feel of <i>Under A Blood Red Sky<\/i>: a raw, tough, and exhilarating document of a band rising to power but not yet succumbing to it. <\/p>\n","protected":false},"author":45,"featured_media":33166,"comment_status":"open","ping_status":"closed","template":"","meta":{"_acf_changed":false,"footnotes":""},"artist":[5708],"rating":[5613],"class_list":["post-44962","review","type-review","status-publish","has-post-thumbnail","artist-u2","rating-rating-a-minus"],"acf":[],"_links":{"self":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review\/44962","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review"}],"about":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/types\/review"}],"author":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/users\/45"}],"replies":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/comments?post=44962"}],"version-history":[{"count":0,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review\/44962\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/media\/33166"}],"wp:attachment":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/media?parent=44962"}],"wp:term":[{"taxonomy":"artist","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/artist?post=44962"},{"taxonomy":"rating","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/rating?post=44962"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}