{"id":45002,"date":"2017-07-01T00:00:00","date_gmt":"2017-07-01T00:00:00","guid":{"rendered":"https:\/\/dailyvault.adishjain.in\/index.php\/reviews\/amen-why\/"},"modified":"2017-07-01T00:00:00","modified_gmt":"2017-07-01T00:00:00","slug":"amen-why","status":"publish","type":"review","link":"https:\/\/dailyvault.adishjain.in\/index.php\/reviews\/amen-why\/","title":{"rendered":"Amen\/Why"},"content":{"rendered":"<p class=\"MsoNormal\">If you want to know where the funk in funky originated, look no further than The Staple Singers.<\/p>\n<p class=\"MsoNormal\">Roebuck \u201cPops\u201d Staples began his career as a teenager in the 1920s. By the 1940s, he had moved to Chicago and formed The Staple Singers with his son Purvis and daughters Mavis and Cleotha. Before attaining huge commercial success with white audiences in the 1970s, they released music for the Vee Jay and Riverside labels, where they became renowned for their gritty brand of gospel music. The mid-1960s found them with Epic\/Columbia. Now, their first two albums of gospel and secular music for the label have now been re-released by Real Gone Music as <i>Amen\/Why.<\/i><\/p>\n<p class=\"MsoNormal\"><i>Amen <\/i>is the more traditional of the two releases, and finds Pops Staples arranging a number of gospel songs. \u201cHe\u2019s Got The Whole World In His Hands,\u201d \u201cThis Train,\u201d \u201cDelilah,\u201d and \u201cNobody\u2019s Fault But Mine\u201d have more of a straightforward vocal approach than the funky R&#038;B sound of their classic 1970s period.<\/p>\n<p class=\"MsoNormal\">The two original Pops compositions are both interesting and arguably the best tracks as they still sound fresh today. Mavis just attacks \u201cMore Than A Hammer And Nail.\u201d Her gritty vocal runs counter to the upbeat nature of the song. \u201cDo Something For Yourself,\u201d with Pop\u2019s subdued lead vocal, looks ahead to their social statements of the future.<\/p>\n<p class=\"MsoNormal\">The <i>Why <\/i>album is also gospel-oriented but takes more chances. At the time of its release in 1965, life was changing in America, and a number of the tracks reflect the upheaval of those changes. \u201cWhy (Am I Treated So Bad)\u201d is a blunt reply to the barring of black students from an Arkansas High School. It would eventually become an early centerpiece of the Civil Rights movement. <\/p>\n<p class=\"MsoNormal\">The praise song \u201cKing Of Kings\u201d and the moving \u201cI\u2019ve Been Scorned\u201d are equal to their best work. \u201cMove Along Train\u201d contains a slow-building Mavis vocal with Cleotha filling in the gaps, a formula they would rely on in the future. \u201cWhat Are They Doing (In Heaven Today)\u201d is a light but fun-filled romp. <\/p>\n<p class=\"MsoNormal\"><i>Amen\/Why <\/i>finds The Staple Singers in transition. Two more 1960s Epic albums would complete the process and lead to their classic sound. <\/p>\n<p class=\"MsoNormal\">This release finds The Staple Singers on the cusp of stardom. It is a good listen for anyone who wants to explore not only the legacy of the Staples but also the roots of American funk and rhythm &#038; blues.<\/p>\n","protected":false},"author":59,"featured_media":33193,"comment_status":"open","ping_status":"closed","template":"","meta":{"_acf_changed":false,"footnotes":""},"artist":[8716],"rating":[5617],"class_list":["post-45002","review","type-review","status-publish","has-post-thumbnail","artist-the-staple-singers","rating-rating-b-plus"],"acf":[],"_links":{"self":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review\/45002","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review"}],"about":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/types\/review"}],"author":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/users\/59"}],"replies":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/comments?post=45002"}],"version-history":[{"count":0,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review\/45002\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/media\/33193"}],"wp:attachment":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/media?parent=45002"}],"wp:term":[{"taxonomy":"artist","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/artist?post=45002"},{"taxonomy":"rating","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/rating?post=45002"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}