Denver’s New Ben Franklins have existed since way back in 1992, when the band began to bridge the sounds of The Sisters Of Mercy with pop-influenced tunes, complete with programmed drums. This incarnation of the band released a trio of albums and found regional success, though by the mid ’90s New Ben Franklins had undergone nearly a decade of line up changes.<\/p>\n
With new members came a stylistic shift in sound towards retro country, yet with a noisey and sonically challenging template that was solidified in 2012 with their breakout album titled (peter gabriel)<\/i>. 2015’s Something Old Something New<\/i> was actually released with a companion album titled Something Borrowed Something Blue (<\/i>which is an album entirely of covers). The release illustrates the progression and current chemistry of this criminally overlooked outfit. <\/p>\n
This album of original cuts to the chase with the warm, rustic guitar work of the opening tune \u201cBeautiful Queen,\u201d which is a hard luck story set to the sort of gritty Americana that so many aging punks are making these days, and it sounds just as good as icons like Tim Barry or Chuck Ragan. Other songs, like the bouncing, barnyard stomper \u201cI Don’t Know What’s Wrong With You Why Won’t You Break My Heart?,\u201d are more rooted in country, though the band doesn\u2019t forget their post-punk heritage with tense, rumbling of \u201cQuite Like You.\u201d<\/p>\n
Though much of this album is thinking person’s music, New Ben Franklins isn\u2019t opposed to getting you out on the dance floor, like on the short, speedy \u201cHere Comes Chris.\u201d Still, the longer, more involved songs like \u201cPied Piper\u201d or \u201cBlind (Molly Giere Blues #23)\u201d are among the best here. The former is reminiscent reminiscent of The Smiths in more of a hazy than quirky way, and the latter reflects on waning love, moving from soft and jangling to a fuzzed out rocker.<\/p>\n
It looks like these Coloradans are still quite active, releasing a new album in 2017 and doing plenty of live shows. Their approach and delivery ranks up there with Colorado alt-country favorites Drag The River, and this release deserves a listen for fans between punk and country.<\/p>\n","protected":false},"author":89,"featured_media":33243,"comment_status":"open","ping_status":"closed","template":"","meta":{"_acf_changed":false,"footnotes":""},"tags":[],"artist":[10047],"rating":[5617],"class_list":["post-45052","review","type-review","status-publish","has-post-thumbnail","artist-new-ben-franklins","rating-rating-b-plus"],"acf":[],"_links":{"self":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review\/45052","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review"}],"about":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/types\/review"}],"author":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/users\/89"}],"replies":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/comments?post=45052"}],"version-history":[{"count":0,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review\/45052\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/media\/33243"}],"wp:attachment":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/media?parent=45052"}],"wp:term":[{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/tags?post=45052"},{"taxonomy":"artist","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/artist?post=45052"},{"taxonomy":"rating","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/rating?post=45052"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}