One of the great sports stories of the last two decades was the Chicago Cubs winning the World Series in 2016, and few celebrities were happier than Eddie Vedder. Sensing a kinship between dedicated, lifelong Cubs fans and dedicated, lifelong Pearl Jam fans, filmmaker Danny Clinch put together the Let\u2019s Play Two <\/i>documentary\/concert film in 2017.<\/p>\n
The parallels may strike some as clumsy, given how Pearl Jam started out in 1991, but the relationship makes a lot of sense. Cubs fans I know are unwavering in their support, brushing off the \u201closers\u201d or whatever tags they put up with for so many years, always believing in the power of baseball and their team. Pearl Jam fans, similarly, remain dedicated to the band year after year, filling stadiums and singing along to all of the songs, dismissing critics who claimed they were washed up or only had one good album or whatever nonsense critics come up with (present company excluded). Cubs fans cheered when they won the Series. Pearl Jam fans cheered when their scrappy fighters were elected to the Rock And Roll Hall Of Fame.<\/p>\n
Vedder truly is a lifelong Cubs fan, a fact the documentary strongly emphasizes, so the win was personal for him and so, too, was the two-night stand at Wrigley in 2016 that this disc captures. Let\u2019s Play Two <\/i>is a fine sampler of both shows, although it fades out in between songs because it\u2019s technically a soundtrack and not a front-to-back live show. But that\u2019s a small matter. More than Live On Ten Legs <\/i>or even PJ20<\/i>, this disc is a very good representation of the power of live Pearl Jam, not just musically but in the synergy between band and crowd. <\/p>\n
The disc follows the template of a standard Pearl Jam show; a low-key opener (\u201cLow Light,\u201d in this case), a unique mix of tracks from all of the band\u2019s albums, a surprise track or two, and a well-worn yet beloved cover of a classic rock song. PJ approaches every show with a new setlist; they know what songs are popular, but they don\u2019t want to get bored playing them, hence the shakeup each night. So here you get the perennial \u201cCorduroy\u201d with the B-side rarity \u201cBlack, Red, Yellow;\u201d the anthemic divorce ballad \u201cBlack\u201d with the newer track \u201cLightning Bolt;\u201d and the soaring \u201cGiven To Fly\u201d with the little-heard Vitalogy <\/i>opener \u201cLast Exit.\u201d <\/p>\n
Perhaps because the Chicago setting means so much to Eddie and\/or because the shows were being filmed, the setlist leans a little heavier on the \u201890s era, with \u201cJeremy,\u201d \u201cAlive,\u201d \u201cGo,\u201d \u201cRelease,\u201d \u201cBetterman,\u201d and \u201cElderly Woman\u201d all making an appearance. To Pearl Jam\u2019s everlasting credit, the songs still sound fresh and sharp, played with ferocity and the anthemic vigor they deserve. One doesn\u2019t need the crowd\u2019s participation to feel like they\u2019re part of it, but it helps all the same. <\/p>\n
The disc works as a great sampler for Pearl Jam live. For fans, much of the material is redundant, albeit perennially enjoyable; about the only surprises are \u201cBlack, Red, Yellow,\u201d the baseball love song \u201cAll The Way,\u201d \u201cLightning Bolt,\u201d and the closing cover of the Beatles\u2019 \u201cI\u2019ve Got A Feeling.\u201d These aren\u2019t necessarily enough to push this into must-own territory, but as far as live Pearl Jam souvenirs go, this is one of the best ones on the market.<\/p>\n","protected":false},"author":45,"featured_media":33386,"comment_status":"open","ping_status":"closed","template":"","meta":{"_acf_changed":false,"footnotes":""},"artist":[5726],"rating":[5617],"class_list":["post-45202","review","type-review","status-publish","has-post-thumbnail","artist-pearl-jam","rating-rating-b-plus"],"acf":[],"_links":{"self":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review\/45202","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review"}],"about":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/types\/review"}],"author":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/users\/45"}],"replies":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/comments?post=45202"}],"version-history":[{"count":0,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review\/45202\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/media\/33386"}],"wp:attachment":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/media?parent=45202"}],"wp:term":[{"taxonomy":"artist","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/artist?post=45202"},{"taxonomy":"rating","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/rating?post=45202"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}