{"id":45523,"date":"2019-01-23T00:00:00","date_gmt":"2019-01-23T00:00:00","guid":{"rendered":"https:\/\/dailyvault.adishjain.in\/index.php\/reviews\/local-717-ep\/"},"modified":"2019-01-23T00:00:00","modified_gmt":"2019-01-23T00:00:00","slug":"local-717-ep","status":"publish","type":"review","link":"https:\/\/dailyvault.adishjain.in\/index.php\/reviews\/local-717-ep\/","title":{"rendered":"Local 717 (EP)"},"content":{"rendered":"<p class=\"MsoNormal\">Released to very little fanfare, <i>Local 717 <\/i>sees the stalwart Pennsylvania post-grunge band Live reunited after a 12-year hiatus and rediscovering their sound. <\/p>\n<p class=\"MsoNormal\">From <i>The Distance to Here <\/i>onward, each successive Live album was met with increasingly lower sales and tepid reviews, and after 2006\u2019s little-heard <i>Songs From Black Mountain <\/i>singer Ed Kowalczyk took off. The band released a pretty good album without him a few years ago, but that didn\u2019t work out either, so now Kowalcyzk is back and everyone is getting along again.<\/p>\n<p class=\"MsoNormal\"><i>Local 717 <\/i>boasts four originals and a Velvet Underground cover, and if there is no guaranteed jaw-dropping song in the bunch like the old days, the EP as a whole is inspired and energetic. That it recalls the sound of <i>Birds of Pray <\/i>and <i>V <\/i>is inevitable, but it would have been disingenuous to re-create the sound or feel of <i>Throwing Copper <\/i>anyway. This is just about four longtime friends making the type of music they enjoy, without trying to make a Statement, and it\u2019s good to hear after such a long absence.<\/p>\n<p class=\"MsoNormal\">The best of the bunch is \u201cBrother,\u201d recalling the best Eastern-tinged parts of <i>Secret Samadhi <\/i>in its introduction before giving way to a roiling, rollicking anthem that Live used to do six, seven times per album. Nearly as good is \u201cBe A Giver, Man,\u201d which gives away its lyrical conceit in its title but which has the most to unpack here, a classic alt-rock song with a swirling Stone Temple Pilots-esque midsection. \u201cLove Lounge\u201d and \u201cWaterfall\u201d pale by comparison, perhaps better than the bulk of the band\u2019s last three albums but still pretty standard Live fare. <\/p>\n<p class=\"MsoNormal\">\u201cVenus in Furs\u201d is an oddball cover of a 51-year-old song, not least because an anthemic, moody arena-rock band hardly seems the vehicle for Velvet Underground songs. But it works because the band slows the tempo, turns up the amps, adds a string section and mines the melancholy doom inherent (but never explicit) in the original track. Kowalczyk, not just here but on the whole EP, also is content to let his voice be an instrument to serve the song instead of the sole vocal point that it became on later Live albums. A chastened, semi-humble but still authoritative Kowalczyk serves this type of music very well.<\/p>\n<p>  I\u2019d love for these guys to release a full-length album again, hopefully with three of this EP\u2019s songs on it, just because it\u2019s good to hear them back together again. Definitely worth checking out no matter how you feel about Live or if you gave up on them after \u201cThe Dolphin\u2019s Cry,\u201d <i>Local 717 <\/i>is a very good EP.<\/p>\n","protected":false},"author":45,"featured_media":33702,"comment_status":"open","ping_status":"closed","template":"","meta":{"_acf_changed":false,"footnotes":""},"tags":[],"artist":[5624],"rating":[5617],"class_list":["post-45523","review","type-review","status-publish","has-post-thumbnail","artist-live","rating-rating-b-plus"],"acf":[],"_links":{"self":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review\/45523","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review"}],"about":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/types\/review"}],"author":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/users\/45"}],"replies":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/comments?post=45523"}],"version-history":[{"count":0,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review\/45523\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/media\/33702"}],"wp:attachment":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/media?parent=45523"}],"wp:term":[{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/tags?post=45523"},{"taxonomy":"artist","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/artist?post=45523"},{"taxonomy":"rating","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/rating?post=45523"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}