{"id":45537,"date":"2019-02-06T00:00:00","date_gmt":"2019-02-06T00:00:00","guid":{"rendered":"https:\/\/dailyvault.adishjain.in\/index.php\/reviews\/this-is-not-the-end\/"},"modified":"2019-02-06T00:00:00","modified_gmt":"2019-02-06T00:00:00","slug":"this-is-not-the-end","status":"publish","type":"review","link":"https:\/\/dailyvault.adishjain.in\/index.php\/reviews\/this-is-not-the-end\/","title":{"rendered":"This Is Not The End"},"content":{"rendered":"<p class=\"MsoNormal\">A sort-of Norwegian supergroup, Spielbergs traffic in joyous power-pop with a dash of pop-punk and a melodic warmth that only comes from a band having a good time together. Formed in 2016 and having an EP under their belt, the band powers their full-length debut <i>This Is Not The End <\/i>along with a grin and a lot of noise, as if it can\u2019t decide whether to go full-bore raw dissonance or sweet power pop and so settled on a hybrid of both.<\/p>\n<p class=\"MsoNormal\">Previous songs have drawn some comparisons to Foo Fighters, which is fair, and certainly the quiet\/loud and sweet\/harsh dynamic of other \u201990s alt-rock groups is present here. It makes the album sound familiar but not clich\u00e9, able to swing from epic buildups (like \u201cNFL,\u201d which stands for Not For Long) to unexpected melodic flourishes (like how \u201cFive On It\u201d goes from guitar feedback to power pop-punk but with a twist in the choruses that grabs the ear). <\/p>\n<p class=\"MsoNormal\">\u201cFamiliar\u201d is a tricky beast, a mashup of Pete Townshend\u2019s clanging power chords from <i>Tommy <\/i>and the dissonant trebly sound of Sonic Youth\u2026and no percussion until about halfway through. Those two chords chime throughout the entire song as the layers add on and then gradually fade away into a quite cheerful keyboard-and-glockenspiel-driven ending jam. Somehow, Spielbergs make it coalesce into a whole. They then veer full-throttle into the straight punk of \u201cBad Friend,\u201d as a way to cleanse the palate and prepare for the final third of the disc.<\/p>\n<p class=\"MsoNormal\">That section starts with the seven-minute mood piece \u201cMcDonald\u2019s (Please Don\u2019t Fuck Up My Order),\u201d which evidently is a problem in Norway too. It\u2019s a noisy, melancholy and mostly wordless fuzz jam \u2013 when the vocals do come in at the 4:30 mark, they\u2019re barely understandable \u2013 and although it boasts a cool sound it doesn\u2019t really go anywhere even with a languid guitar solo. I get what the trio was trying to do, but there\u2019s no push\/pull required to make this song work, no build and release of tension as on \u201cNFL\u201d and elsewhere here. <\/p>\n<p class=\"MsoNormal\">The lovely acoustic \u201cSleeper\u201d is a welcome change of pace, though, which then leads into another pop-punker in \u201c4 AM\u201d and then the closing \u201cForevermore,\u201d which chugs along with a self-assurance that feels earned after the sonic journey that preceded it, while blending all sides of the group into a confident whole. But perhaps the clearest mission statement the band offers is \u201cWe Are All Going To Die,\u201d which was released as a single and appeared on the EP, but remains suitably noisy and epic while fitting the overall theme here perfectly.<\/p>\n<p class=\"MsoNormal\">The run of ideas from punk to pop to acoustic to experimental moodiness could be seen as indecisiveness, I suppose, but it never sounds like flailing. It\u2019s a depth that is both rare on a debut and rare among young rock bands, and Spielbergs convey that depth while still rocking out and having a blast. Definitely worth checking out.<\/p>\n","protected":false},"author":45,"featured_media":33716,"comment_status":"open","ping_status":"closed","template":"","meta":{"_acf_changed":false,"footnotes":""},"artist":[10315],"rating":[5615],"class_list":["post-45537","review","type-review","status-publish","has-post-thumbnail","artist-spielbergs","rating-rating-b"],"acf":[],"_links":{"self":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review\/45537","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review"}],"about":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/types\/review"}],"author":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/users\/45"}],"replies":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/comments?post=45537"}],"version-history":[{"count":0,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review\/45537\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/media\/33716"}],"wp:attachment":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/media?parent=45537"}],"wp:term":[{"taxonomy":"artist","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/artist?post=45537"},{"taxonomy":"rating","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/rating?post=45537"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}