{"id":45653,"date":"2019-06-27T00:00:00","date_gmt":"2019-06-27T00:00:00","guid":{"rendered":"https:\/\/dailyvault.adishjain.in\/index.php\/reviews\/madame-x-deluxe-edition\/"},"modified":"2019-06-27T00:00:00","modified_gmt":"2019-06-27T00:00:00","slug":"madame-x-deluxe-edition","status":"publish","type":"review","link":"https:\/\/dailyvault.adishjain.in\/index.php\/reviews\/madame-x-deluxe-edition\/","title":{"rendered":"Madame X (Deluxe Edition)"},"content":{"rendered":"<p class=\"MsoNoSpacing\">Ambition has always been Madonna\u2019s middle name. One listen to her new world music album project, <i>Madame X<\/i>, confirms this in spades. It\u2019s her boldest and most daring set of tunes since 1998\u2019s <i>Ray Of Light<\/i>, and THAT is saying something. Opening with the first single \u201cMedellin\u201d is a wise choice, even if it never had the chance to make it to the radio airwaves here in America due to the Spanish language elements provided by her latest duet partner and Colombian heartthrob Maluma. It\u2019s certainly a better song than what kicked off her last album from 2015, <i>Rebel Heart<\/i>, \u201cLiving For Love,\u201d which made her sound like an old lady (or at the very least, Ethel Merman). My only complaint is that \u201cMedellin\u201d didn\u2019t bear the more pronounceable title, \u201cLet\u2019s Take A Trip.\u201d Besides, that\u2019s what a world music album is all about, right?<\/p>\n<p class=\"MsoNoSpacing\">The two experimental cuts to follow are even stronger. \u201cDark Ballet\u201d features her twin daughters Estere and Stella providing the wind sounds at the end (though they are clearly struggling to catch their breath, which is so cute). As a continuation of \u201cJoan Of Arc,\u201d it delves even deeper into the story and features a stark video starring HIV+ cis-gendered Mykki Blanco (one of the few times Madonna allowed someone else to take center stage). The Tchaikovsky sample, stunning piano work and spoken word portion in the song\u2019s second half really wowed me. Talk about unexpected drama! As for \u201cGod Control,\u201d we take a trip straight back to the days of <i>Saturday Night Fever<\/i> with cascading disco strings to elevate the grim subject matter of gun violence that happened on the dancefloor of Pulse nightclub in Miami, among too many other places. I could have done without the ridiculous rap, though, where she proclaims that she \u201cdoesn\u2019t smoke that dope.\u201d What lyrics like that have to do with gun control is beyond me, but the song is certainly connecting with her hardcore fan base, so this is a minor quibble.<\/p>\n<p class=\"MsoNoSpacing\">If you\u2019re concerned that the Spanish &#038; Portuguese languages sung on this album will be alienating to English speaking audiences, you shouldn\u2019t be. With the exception of \u201cFaz Gostoso\u201d and \u201cBitch I\u2019m Loca,\u201d (yet another Bitch song, oy) Madonna wisely translates most of the lines within the songs themselves. Do a Google search and you\u2019ll find the other English translations if you need them. Personally, I give Maddie a lot of credit for learning these languages and singing them so fast and fluently as she does. All of this is due in large part to being inspired by her time living in Lisbon, Portugal for the last two years to help her son David Banda with his soccer aspirations. David even contributes lyrics on the African call-and-response anthem, \u201cBatuka.\u201d<\/p>\n<p class=\"MsoNoSpacing\">For reggae enthusiasts, there\u2019s the Quavo duet \u201cFuture\u201d (which is far better than her last attempt at the genre, \u201cUnapologetic Bitch,\u201d also from the subpar double album <i>Rebel Heart<\/i>) and for fans of hip hop, there\u2019s the second single \u201cCrave,\u201d with another dude in his twenties, Swae Lee. Too many duets? Perhaps. We can only hope she goes it alone for her next album. Too many cooks in the kitchen threaten to spoil the broth (though on <i>Madame X<\/i> her stable of producers isn\u2019t as crowded). Bringing the French wunderkind Mirwais back into the fold was a smart move. His production on this album is stellar, despite the overuse of vocoder. The overall sound is amazing; so much better than their folktronica low point in 2003, <i>American Life<\/i>.<\/p>\n<p class=\"MsoNoSpacing\">The words \u201clost\u201d and \u201ccrazy\u201d get bandied about quite a lot on <i>Madame X<\/i>, which caused me to raise an eyebrow and wondered aloud if Madonna might be losing it, especially now that she\u2019s been put in the unenviable position of not only proving that she\u2019s still a relevant force in the music industry, but also dodging media scrutiny that unfairly judges her (and other women) for turning 60. The fact that <i>Madame X<\/i> is her ninth #1 album on the Billboard 200 should erase all such doubts. Nobody should be more relieved and vindicated than the master of surprise and disguise (eye patch included): Madonna herself. The two tracks that best demonstrate her staying power are in the \u201cVogue\u201d-inspired \u201cI Don\u2019t Search I Find\u201d and the sublime \u201cCome Alive,\u201d which would be an excellent opener to her theater residency tour starting up in NYC in September.<\/p>\n<p class=\"MsoNoSpacing\">Make no mistake, this Leo lady has still got a lot of fire in her yet. Dismiss her at your own peril.<\/p>\n","protected":false},"author":57,"featured_media":33831,"comment_status":"open","ping_status":"closed","template":"","meta":{"_acf_changed":false,"footnotes":""},"tags":[],"artist":[5663],"rating":[5617],"class_list":["post-45653","review","type-review","status-publish","has-post-thumbnail","artist-madonna","rating-rating-b-plus"],"acf":[],"_links":{"self":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review\/45653","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review"}],"about":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/types\/review"}],"author":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/users\/57"}],"replies":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/comments?post=45653"}],"version-history":[{"count":0,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review\/45653\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/media\/33831"}],"wp:attachment":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/media?parent=45653"}],"wp:term":[{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/tags?post=45653"},{"taxonomy":"artist","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/artist?post=45653"},{"taxonomy":"rating","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/rating?post=45653"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}