{"id":45703,"date":"2019-09-10T00:00:00","date_gmt":"2019-09-10T00:00:00","guid":{"rendered":"https:\/\/dailyvault.adishjain.in\/index.php\/reviews\/the-lost-tapes-2\/"},"modified":"2019-09-10T00:00:00","modified_gmt":"2019-09-10T00:00:00","slug":"the-lost-tapes-2","status":"publish","type":"review","link":"https:\/\/dailyvault.adishjain.in\/index.php\/reviews\/the-lost-tapes-2\/","title":{"rendered":"The Lost Tapes"},"content":{"rendered":"<p>Ian (Tyson) &#038; Sylvia (Fricker), both individually and as a duo, have been key artists in the Canadian music scene for over a half-century. They were also an integral part in the Greenwich Village folk revival scene of the early 1960s. While they went their separate ways in 1975, they left behind a catalogue of folk music that has rarely been equaled in Canadian music history.<\/p>\n<p>Their new album began with some spring cleaning by Sylvia, which unearthed a box of long misplaced concert tapes from the early 1970s. These missing performances have now been released as a two-CD set titled <em>The Lost Tapes.<\/em><\/p>\n<p>Ian &#038; Sylvia\u2019s new album will mostly appeal to fans of the duo or of the folk music scene of the 1960s. Despite the audio not being up to modern standards, it does provide a nice glimpse into their music and concert style.<\/p>\n<p>Disc one is the more traditional of the two. It consists of traditional songs and country classics, including Ian Tyson\u2019s most famous composition \u201cFour Strong Winds.\u201d Songs such as \u201cWill The Circle Be Unbroken,\u201d \u201cCrazy Arms,\u201d \u201cWhen First Unto This Country,\u201d and \u201cNancy Whiskey\u201d are all staples of the late \u201860s folk scene. Ian &#038; Sylvia had a unique vocal style, so it is interesting to hear their interpretations of these old tunes.<\/p>\n<p>Disc two contains 13 previously unreleased performances. Many of the songs are not usually associated with the duo or folk music. This allows them to explore material beyond their norm and shows their willingness to take some chances in concert.<\/p>\n<p>  Today, Ian &#038; Sylvia are sometimes an afterthought in the folk revival movement, but <em>The Lost Tapes <\/em>will hopefully bring their legacy some new attention.<\/p>\n","protected":false},"author":59,"featured_media":33876,"comment_status":"open","ping_status":"closed","template":"","meta":{"_acf_changed":false,"footnotes":""},"tags":[],"artist":[10412],"rating":[5617],"class_list":["post-45703","review","type-review","status-publish","has-post-thumbnail","artist-ian-sylvia","rating-rating-b-plus"],"acf":[],"_links":{"self":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review\/45703","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review"}],"about":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/types\/review"}],"author":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/users\/59"}],"replies":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/comments?post=45703"}],"version-history":[{"count":0,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review\/45703\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/media\/33876"}],"wp:attachment":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/media?parent=45703"}],"wp:term":[{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/tags?post=45703"},{"taxonomy":"artist","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/artist?post=45703"},{"taxonomy":"rating","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/rating?post=45703"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}