Seattle’s Eamon Nordquist is the brainchild behind Eamon Ra. Even though this is his first solo record, the multi-instrumentalist has already played in Sterling Loons as well as Truly. This is an album where he wrote, produced, recorded, and played just about everything on the album. The odd title of Meat Bones Chemicals Electricity<\/i> actually points at Nordquist’s mulling over each of our individual existences, where we’re just a mashing of meat, bones, chemicals, and electricity. <\/p>\n
\u201cFuture History\u201d starts the listen with a retro blast of breezy melodies and crisp instrumentation that certainly sounds like wouldn’t be out of place with the British Invasion, while \u201cPitchforks And Torches\u201d continues the throwback sounds with a jangly, baroque pop rocker where Eamon’s vocal prowess is on full display.<\/p>\n
On a listen where each time shines in its own light, \u201cFun To Be Had\u201d flows with a slightly hazy setting of blurry melodies in a folk-inspired atmosphere, and the acoustic \u201cNightingale\u201d is a slow burning affair of expressive song craft with a touch of ambience.<\/p>\n
Back half highlights include the buzzing power pop of \u201cWaiting For The Morning,\u201d which could have easily made Eamon a household name if it were released in 1965, and the bouncy, irresistible fun of \u201cHappiest Day In History.\u201d \u201cSuch Good Friends\u201d exits the listen with a brief display of spirited guitar work where we even get to experience some falsetto from Eamon.<\/p>\n
It’s pretty apparent that Eamon has an affinity for The Byrds, The Beatles, and The Kinks, as his hook-friendly ’60s rock follows a similar path. He plays everything but drums here, sings wonderfully, and is never short on folk and psychedelic nods. It’s certainly a far cry from his time playing post-grunge or the dream-pop of his previous bands, but it’s executed so well that you’re not going to hear me complain.<\/p>\n
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