Founder, frontman, and primary songwriter for the South African indie rockers Civil Twilight Steven Dayvid McKellar is taking the solo route for the first time on Ethio. <\/i>The now Nashville resident is staying quite busy while his full band is on hiatus. <\/p>\n
Certainly a quieter affair than his work with Civil Twilight, on Ethio, <\/i>McKellar focuses on melody and rhythm \u2013 often from a slow burning angle \u2013 but he’s never in short supply on imaginative moments that make each of the eight tunes present worth spending considerable time with. <\/p>\n
\u201cDon’t Ask Me Why\u201d leads off the expressive listen with minimal instrumentation as McKellar’s versatile vocals guide the bare but rich opener. This creativity follows on the percussively strong and highly creative \u201cKeep It Safe,\u201d a tune that really highlights McKellar’s charming falsetto. Similarities to Thom Yorke’s solo work are present, and I’m sure we could all agree that that could never not be a compliment.<\/p>\n
Further along, the bare and mesmerizing \u201cCall It What You Like\u201d benefits greatly from synth flourishes amid the breathy vocals in its intimate nature, while \u201cThe Promise\u201d moves into fuller territory as McKellar builds an eloquent, lush electronic filled landscape of adventurous song craft. <\/p>\n
The album finishes strong with the chilling and atmospheric \u201cAsleep At The Wheel,\u201d where some subtle post-punk is detectable and appreciated. \u201cEven The Bird\u201d exits the listen sparse and warm before building into a playful and experimental conclusion of sonic playfulness. <\/p>\n
A record where McKellar handles everything behind the scenes, too, including painting the cover art, he makes much audible art here with a drum machine, keyboard synth, acoustic guitar, and bass alongside very poetic lyricism. Somewhere between electro-pop and indie rock, fans waiting for the next Civil Twilight record would be wise spend to get comfortable with Ethio <\/i>and pay attention.<\/p>\n","protected":false},"author":89,"featured_media":34046,"comment_status":"open","ping_status":"closed","template":"","meta":{"_acf_changed":false,"footnotes":""},"tags":[],"artist":[10507],"rating":[5615],"class_list":["post-45876","review","type-review","status-publish","has-post-thumbnail","artist-steven-dayvid-mckellar","rating-rating-b"],"acf":[],"_links":{"self":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review\/45876","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review"}],"about":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/types\/review"}],"author":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/users\/89"}],"replies":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/comments?post=45876"}],"version-history":[{"count":0,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review\/45876\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/media\/34046"}],"wp:attachment":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/media?parent=45876"}],"wp:term":[{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/tags?post=45876"},{"taxonomy":"artist","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/artist?post=45876"},{"taxonomy":"rating","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/rating?post=45876"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}