{"id":46034,"date":"2020-12-14T00:00:00","date_gmt":"2020-12-14T00:00:00","guid":{"rendered":"https:\/\/dailyvault.adishjain.in\/index.php\/reviews\/cyr\/"},"modified":"2026-07-04T11:20:08","modified_gmt":"2026-07-04T11:20:08","slug":"cyr","status":"publish","type":"review","link":"https:\/\/dailyvault.adishjain.in\/index.php\/reviews\/cyr\/","title":{"rendered":"CYR"},"content":{"rendered":"<p class=\"MsoNormal\">In <a href=\"https:\/\/dailyvault.adishjain.in\/index.php\/reviews\/shiny-and-oh-so-bright-vol-1-no-past-no-future-no-sun\/\">my review<\/a>  of 2018\u2019s Smashing Pumpkins reunion album <i>Shiny And Oh So Bright, Vol. 1: No Past. No Future. No Sun<\/i>, I wondered if this was a one-off, a half hour designed to bring forgotten fans back into the fold than an attempt to truly push forward. Turns out it was a true reunion, and now the second album from three-fourths of the original band lineup has come out.<\/p>\n<p class=\"MsoNormal\">No, it\u2019s not Vol. 2 of that first album, nor is it of a piece of any of the last Pumpkins albums of the last 20 years. It\u2019s a keyboard and synth-laden detour from the guitar-heavy sound that made the band famous, harkening back to 1998\u2019s <i>Adore <\/i>and 2007\u2019s <i>Zeitgeist <\/i>in its conscious shedding of the six-string. And it\u2019s really not that great.<\/p>\n<p class=\"MsoNormal\">In that review, I noted that <i>Shiny <\/i>was not the sound of Corgan pushing forward, as he has been wont to do on most of his music. <i>CYR <\/i>is definitely not the same old, and that will be tough to swallow for many fans. If your Pumpkins tastes run toward the synth side of the band \u2013 if your favorite SP songs are \u201cAva Adore,\u201d \u201cFor God and Country,\u201d \u201cAnaise\u201d (from <i>Monuments To An Elegy<\/i>, aka the Tommy Lee album)<i> <\/i>or \u201cTonight, Tonight\u201d <i>\u2013 <\/i>then you\u2019ll get more out of this album. But the majority of fans, I suspect, will get bored midway through and put on something that rocks.<\/p>\n<p class=\"MsoNormal\"><i>CYR <\/i>is very long, and it definitely does not rock, favoring slower\/midtempo pieces no shorter than three minutes and no longer than five minutes\u2026and the thing has 20 songs and lasts an hour and 12 minutes. But <i>Mellon Collie <\/i>it ain\u2019t, or even <i>Teargarden By Kaleidyscope<\/i>, the last time that I think Corgan really stretched himself and his songwriting, and the moment (once the project ended) that I think most fans stopped paying attention, if they hadn\u2019t quit by <i>Zeitgeist <\/i>already.<\/p>\n<p class=\"MsoNormal\">You get one keyboard\/synth-centric midtempo song, and then another, and then another, and you\u2019ve already forgotten the first one, and there\u2019s 17 more to go. The songs just don\u2019t <i>excite <\/i>the way the best Pumpkins music can, with two exceptions: \u201cWyttch,\u201d which gets the blood pumping a bit, and opener \u201cThe Colour Of Love,\u201d which has that pop element that Corgan always infused into his work as far back as <i>Siamese Dream<\/i>. The cover is pretty cool too.<\/p>\n<p class=\"MsoNormal\">There\u2019s nothing outright embarrassing, and nothing outright amazing, and so <i>CYR <\/i>ends up as a mediocre effort from a formerly great band, and one that only truly dedicated fans need to seek out.<\/p>\n","protected":false},"author":45,"featured_media":34203,"comment_status":"open","ping_status":"closed","template":"","meta":{"_acf_changed":false,"footnotes":""},"artist":[5772],"rating":[11204],"class_list":["post-46034","review","type-review","status-publish","has-post-thumbnail","artist-smashing-pumpkins","rating-rating-c-minus"],"acf":[],"_links":{"self":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review\/46034","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review"}],"about":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/types\/review"}],"author":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/users\/45"}],"replies":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/comments?post=46034"}],"version-history":[{"count":0,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review\/46034\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/media\/34203"}],"wp:attachment":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/media?parent=46034"}],"wp:term":[{"taxonomy":"artist","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/artist?post=46034"},{"taxonomy":"rating","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/rating?post=46034"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}