I always find it challenging to review a remaster of an album, especially one that I was not familiar with in its previous incarnation. What, exactly, am I evaluating? The album? Or the job that was done rebuilding and remixing its sound? It\u2019s a difficult question, and not one I really have an easy answer for.<\/p>\n
In the case of the Kinks\u2019 Lola Versus Powerman And The Moneygoround, Part 1<\/i> (and that will be the last time I type THAT out fully, thank you), it needs to be split. There\u2019s content, then there\u2019s the remixed content, and ne\u2019er the twain shall meet.<\/p>\n
As for the content \u2013 I\u2019m going to be honest. LVPATMP1<\/i> is no Arthur<\/i>. Ostensibly an album where the Davies brothers expressed their anger and frustration at the music business, there are times it comes off almost childish. The choice of music styles seems odd at times as well; it\u2019s hard to remain outraged when someone is playing a barrelhouse piano (\u201cThe Moneygoround\u201d) or a dobro that they\u2019d just bought (\u201cLola,\u201d which by the way is still one of the best and funniest pop songs of the \u201860s). Quite often, as well, Ray Davies seems to be straining, distracting the listener from some of the well-written songs in the second half of the CD. When he relaxes a bit, we get brilliant bits like \u201cApeman;\u201d when he doesn\u2019t, we get the slightly thin-sounding \u201cPowerman.\u201d<\/p>\n
As for the bonus tracks, they\u2019re surprisingly deep and quite good for the most part. The headliner here is a version of \u201cLola\u201d recorded with \u2013 wait for it \u2013 the Danish National Chamber Orchestra and the Danish National Vocal Ensemble. It works really well, actually. There is also a sweet version of \u201cA Long Way From Home\u201d from Austin City Limits<\/i>. The only clunker is a piano version of \u201cGot To Be Free,\u201d which seems to be running at three-quarters speed.<\/p>\n
There is some great swag with this remaster. The booklet included I found really educational and thorough; it helped me understand where LVPATMP1<\/i> and the Davies brothers were coming from. The packaging is durable and tight.<\/p>\n
So in the end, how do I grade this? I think it will have to be a two-fer\u2026<\/p>\n
Rating (album content): C+
Rating (remaster): B+<\/p>\n","protected":false},"author":18,"featured_media":34331,"comment_status":"open","ping_status":"closed","template":"","meta":{"_acf_changed":false,"footnotes":""},"artist":[6465],"rating":[5615],"class_list":["post-46166","review","type-review","status-publish","has-post-thumbnail","artist-the-kinks","rating-rating-b"],"acf":[],"_links":{"self":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review\/46166","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review"}],"about":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/types\/review"}],"author":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/users\/18"}],"replies":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/comments?post=46166"}],"version-history":[{"count":0,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review\/46166\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/media\/34331"}],"wp:attachment":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/media?parent=46166"}],"wp:term":[{"taxonomy":"artist","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/artist?post=46166"},{"taxonomy":"rating","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/rating?post=46166"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}