The music industry has taken a beating in this online era, but it has also opened windows of opportunity for artists to connect with their fans\u2014or in this case, vice versa. In 2010, former Black Sabbath vocalist Tony Martin was working on a third solo album titled Book Of Shadows <\/i>when he was contacted over Facebook by Scott McLellan. Armed with a Dean guitar and 20 years\u2019 experience playing in Pantera tribute bands Cemetery Gatez and Domination, McLellan sent what Tony Martin describes as \u201cNot a one-riff thing but many riffs, just like when I worked with Tony Iommi\u2026.\u201d It\u2019s difficult to think of higher praise for a heavy metal guitarist, and the collaboration that led to Thorns <\/i>is a treat for any fans of Black Sabbath. <\/p>\n
The first thing to leap out at you is how powerful Tony Martin\u2019s voice still is 35 years after his debut on Black Sabbath\u2019s The Eternal Idol <\/i>(1987). The speedy, chugging riffs of the opener \u201cAs The World Burns\u201d pack a punch and are matched by his range, with a neat changeup to a spoken interlude after McLellan\u2019s first solo of the album. \u201cBlack Widow Angel\u201d opens with a sludgy riff accompanied by Martin\u2019s longtime drummer Danny Needham pounding on the drums. A highlight comes at about 2:30 in when bassist Magnus Ros\u00e9n gets his time in the spotlight, with a break that brings to mind Les Claypool. Although the musicians\u2019 parts were recorded separately and spread out over time (and space in this pandemic era), they blend together excellently and sound like a top-notch band.\u00a0 <\/p>\n
Three songs written and composed for the Book Of Shadows <\/i>album feature on Thorns <\/i>and blend well with those Martin co-wrote with McLellan. What would have been the title track reminds me a bit of \u201cAnno Mundi\u201d from the criminally underrated Black Sabbath album TYR<\/i> (1990), while \u201cCrying Wolf\u201d is a nice change-up to a stripped-down acoustic number. They\u2019re great back-to-back numbers as they show two sides of Martin as a vocalist, still able to hit the notes he did 30 years ago and having branched out into different styles. The best of the three for my tastes is actually the most out of left field: \u201cThis Is Your Damnation\u201d is a great, foot-stomping acoustic number that goes from spoken-word, to a soulful chorus, to a great pitch in the closing verses. It feels the most \u201csolo\u201d of the numbers on this album.<\/p>\n
But make no mistake. The highlights come in the form of heavy metal! \u201cDamned By You\u201d has a great solo from Scott McLellan while Danny Needham pummels away at the double-bass; \u201cNo Shame At All\u201d has a heavy, swinging groove; and \u201cPassion Killer\u201d and \u201cRun Like The Devil\u201d are a hard-hitting one-two punch that see Martin share center stage with McLellan. It\u2019s a thrill to listen to a guitarist strongly influenced by Dimebag Darrell collaborate with a Black Sabbath vocalist, and despite being written and recorded over the space of 12 years, the songs come together very well as an album, which speaks to the great songwriting between them. Indeed, Tony Martin has already spoken of writing and recording a second album with Scott McLellan, giving them ample material to play live in the future.\u00a0 <\/p>\n
Despite COVID-19 having obstructed bands from touring, recording in the studio to beat cabin fever has led to a series of great albums from former Black Sabbath vocalists: Ozzy Osbourne, Ian Gillan, Glenn Hughes, and now Tony Martin have recorded top-notch material in the past two years, and Thorns <\/i>is his best solo album to date.<\/p>\n","protected":false},"author":61,"featured_media":34528,"comment_status":"open","ping_status":"closed","template":"","meta":{"_acf_changed":false,"footnotes":""},"artist":[10748],"rating":[5613],"class_list":["post-46373","review","type-review","status-publish","has-post-thumbnail","artist-tony-martin","rating-rating-a-minus"],"acf":[],"_links":{"self":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review\/46373","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review"}],"about":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/types\/review"}],"author":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/users\/61"}],"replies":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/comments?post=46373"}],"version-history":[{"count":0,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review\/46373\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/media\/34528"}],"wp:attachment":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/media?parent=46373"}],"wp:term":[{"taxonomy":"artist","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/artist?post=46373"},{"taxonomy":"rating","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/rating?post=46373"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}