Eleven albums in 30 years may not seem like much, but Collective Soul has shown a gift over the years for writing consistent, straight-ahead, hooky pop-rock that all feels of a piece. Not a band to give in to trends, but one that is able to slowly adapt and grow over time, the quintet has a body of work that ties together nicely regardless of era.<\/p>\n
Such consistency means something of a lack of growth, but if you\u2019re a fan who just likes the light alt-rock sounds of the 90s, then this album is right up your alley. Vibrating <\/i>could be a companion piece to any of the band\u2019s \u201990s albums\u2014the time period of their biggest hits like \u201cShine,\u201d \u201cThe World I Know,\u201d \u201cDecember,\u201d \u201cGel,\u201d \u201cHeavy\u201d and \u201cWhy Pt. 2\u201d\u2014and remains a throwback to that time with its lean 10-song 40-minute runtime, lack of guests, punchy rock hooks and arena-rock feel.<\/p>\n
Where Vibrating <\/i>succeeds is in how it fails to be a legacy veteran album, the kind that meanders with midtempo jams and maybe one great single and that allows a once-popular band to get back on the road to earn a living. You see that a lot with \u201990s acts over the last 15 years. Make no mistake, this is definitely an album that fits into that timeframe, but Ed Roland and company still have an energy in their songwriting and a way with a hooky riff that sounds like friends (in their 50s now, mind you) jamming in their garage on the weekends or at the local amphitheater in front of a small but appreciative crowd.<\/p>\n
Opener \u201cCut the Cord\u201d is a fast-paced rocker that will take you back to 1995\u2019s Collective Soul <\/i>album, and both \u201cReason\u201d and \u201cUndone\u201d are in a similar vein, confident and fun, delivered by a band that knows what it\u2019s good at and doesn\u2019t try to go beyond that. \u201cRule No. 1\u201d is an effective acoustic-led song and \u201cBack Again\u201d is the sole ballad, finding a spacy groove and ending with a languid, almost Floydian guitar solo; it\u2019s the only time here the band seems to break out of its comfort zone a bit. Closer \u201cWhere Do I Go\u201d also strives for an anthemic feel, ending with strings and handclaps, designed to be a crowd-pleaser at concerts.<\/p>\n
The album was intended to be a companion piece to 2019\u2019s Blood<\/i>, but the songs were shelved during the 2020-21 pandemic. The band revisited them in 2022 and liked what they heard, making only minor changes during the recording, and as such this isn\u2019t a \u201cpandemic album\u201d in the sense of what that term came to be. It also isn\u2019t really a companion to Blood<\/i>, since neither has a unifying theme or overarching musical conceit. Rather, it\u2019s a companion to any previous Collective Soul album, which makes it a fun listen for fans. <\/p>\n
Other than \u201cCut the Cord\u201d and first single \u201cAll Our Pieces,\u201d there\u2019s little that is a \u201cmust-hear,\u201d although that\u2019s rarely the case when a band delivers an album 30 years into their career anyway. Rather, it\u2019s a solid, uncomplicated offering from a band that consistently delivers such things.<\/p>\n","protected":false},"author":45,"featured_media":34589,"comment_status":"open","ping_status":"closed","template":"","meta":{"_acf_changed":false,"footnotes":""},"tags":[],"artist":[5735],"rating":[5615],"class_list":["post-46437","review","type-review","status-publish","has-post-thumbnail","artist-collective-soul","rating-rating-b"],"acf":[],"_links":{"self":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review\/46437","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review"}],"about":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/types\/review"}],"author":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/users\/45"}],"replies":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/comments?post=46437"}],"version-history":[{"count":0,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review\/46437\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/media\/34589"}],"wp:attachment":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/media?parent=46437"}],"wp:term":[{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/tags?post=46437"},{"taxonomy":"artist","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/artist?post=46437"},{"taxonomy":"rating","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/rating?post=46437"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}