{"id":46464,"date":"2022-10-25T00:00:00","date_gmt":"2022-10-25T00:00:00","guid":{"rendered":"https:\/\/dailyvault.adishjain.in\/index.php\/reviews\/i-hear-some-blues-downstairs\/"},"modified":"2026-07-25T07:31:30","modified_gmt":"2026-07-25T07:31:30","slug":"i-hear-some-blues-downstairs","status":"publish","type":"review","link":"https:\/\/dailyvault.adishjain.in\/index.php\/reviews\/i-hear-some-blues-downstairs\/","title":{"rendered":"I Hear Some Blues Downstairs"},"content":{"rendered":"<p class=\"Standard\">The last time we checked in on the late Chicago bluesman Fenton Robinson was in 1997, when <a href=\"https:\/\/dailyvault.adishjain.in\/index.php\/reviews\/somebody-loan-me-a-dime\/\">we looked at<\/a> his Alligator debut <i>Somebody Loan Me A Dime<\/i>. In that review, I noted that I wished that Robinson and his band had taken a few musical chances to break up the uniformity of the disc.<\/p>\n<p class=\"Standard\"><i>I Hear Some Blues Downstairs<\/i>, Robinson\u2019s 1977 effort, does just that\u2026 and, while it has plenty to celebrate, reminds me of the old adage, \u201cBe careful what you wish for.\u201d<i><\/i><\/p>\n<p class=\"Standard\">The slow, mournful blues that permeated his previous release is still there, albeit with a slightly crisper production job. But Robinson and his crew also dare to get a little funky on three tracks that have the slightest hint of a disco beat to them. Those tracks, \u201cJust A Little Bit,\u201d \u201cI Wish For You\u201d and the blues standard \u201cKilling Floor,\u201d actually turn out to be some of the weaker efforts on the disc. It\u2019s not that Robinson can\u2019t\u2014or shouldn\u2019t\u2014make the effort to put some energy into the tracks. It\u2019s just that these particular efforts sound a little dated.<i><\/i><\/p>\n<p class=\"Standard\">Fortunately, there\u2019s also plenty to celebrate on this disc. Robinson\u2019s whiskey-smooth vocals are still very much at the forefront of the music, while his staccato guitar lines are found throughout. Tracks like \u201cGoing West,\u201d \u201cTell Me What\u2019s The Reason\u201d (an example of what a slightly more lively performance could be) and the title track all bear plenty of witness to why Robinson should have been more revered in his chosen musical genre.<i><\/i><\/p>\n<p class=\"Standard\">Yet, it\u2019s moments where Robinson\u2019s guitar says the <i>least<\/i> that showcases his control and mastery of the blues. Listen to \u201cI\u2019m So Tired,\u201d and right at the climax of the song, where any blues player worth their weight in guitar picks would have created a magnificent solo filled with long runs of notes, Robinson simply plays three, slightly bending the final note and holding it until the band launches into the crescendo. That, kids, is power.<i><\/i><\/p>\n<p class=\"Standard\">Robinson would not be heard from in the record bins for seven years after the release of <i>I Hear Some Blues Downstairs<\/i>, so it\u2019s good that, even though it\u2019s a shade weaker than its predecessor, Robinson left behind an album that is fairly enjoyable. If all you know of Robinson is <i>Somebody Loan Me A Dime<\/i>, this one is still worth searching out.<i><\/i><\/p>\n","protected":false},"author":2,"featured_media":34613,"comment_status":"open","ping_status":"closed","template":"","meta":{"_acf_changed":false,"footnotes":""},"tags":[],"artist":[5901],"rating":[5612],"class_list":["post-46464","review","type-review","status-publish","has-post-thumbnail","artist-fenton-robinson","rating-rating-b-minus"],"acf":[],"_links":{"self":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review\/46464","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review"}],"about":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/types\/review"}],"author":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/comments?post=46464"}],"version-history":[{"count":1,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review\/46464\/revisions"}],"predecessor-version":[{"id":51895,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review\/46464\/revisions\/51895"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/media\/34613"}],"wp:attachment":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/media?parent=46464"}],"wp:term":[{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/tags?post=46464"},{"taxonomy":"artist","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/artist?post=46464"},{"taxonomy":"rating","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/rating?post=46464"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}