{"id":46467,"date":"2022-10-29T00:00:00","date_gmt":"2022-10-29T00:00:00","guid":{"rendered":"https:\/\/dailyvault.adishjain.in\/index.php\/reviews\/we-have-arrived\/"},"modified":"2022-10-29T00:00:00","modified_gmt":"2022-10-29T00:00:00","slug":"we-have-arrived","status":"publish","type":"review","link":"https:\/\/dailyvault.adishjain.in\/index.php\/reviews\/we-have-arrived\/","title":{"rendered":"We Have Arrived"},"content":{"rendered":"<p class=\"Standard\">For every member of thrash metal\u2019s \u201cBig Four,\u201d there were dozens of bands who looked in on the fringes of the successes of Anthrax, Slayer, Megadeth and Metallica. One such band was Downey, California\u2019s Dark Angel, whose greatest claims to fame might be their (as of 2022) last studio effort <i>Time Does Not Heal<\/i> and the fact that drummer extraordinaire Gene Hogland was\/is a member of the group. (Dark Angel is slated to release a new studio album in 2023\u2014their first in over 30 years.)<\/p>\n<p class=\"Standard\">Honestly, it has been a long, long time since I listened to Dark Angel\u2014and, up until prepping for this review, I had never heard their debut effort <i>We Have Arrived<\/i> from 1985. (The disc was initially released on Azra, later re-released on Metal Storm with different cover art.)<\/p>\n<p class=\"Standard\">In a way, I shouldn\u2019t have bothered. While one or two of these became standards for Dark Angel in a live setting, this is fairly formulaic thrash metal with an uninspiring lead vocalist, sterile production and plodding drums.<\/p>\n<p class=\"Standard\">Ah, I hear Hogland\u2019s fanbase preparing to beat me senseless. Let it be known that this was the only album to feature Jack Schwartz behind the skins, not Hogland. So there.<\/p>\n<p class=\"Standard\">Vocalist Don Doty (who would remain with the band for one more album) might be able to enunciate his way through the songs\u2014and, believe me, that\u2019s not anything I\u2019m complaining about. But his overall vocal performance lacks the power that even these seven mediocre selections all but demand. Take the song \u201cMerciless Death,\u201d for example\u2014the choruses of this song should be what drives the song home, but behind Doty\u2019s vocals, they fall flat.<\/p>\n<p class=\"Standard\">Similarly, tracks like \u201cWelcome To The Slaughter House\u201d and \u201cHell\u2019s On Its Knees\u201d just fall completely flat to my ears. Granted, this was the band\u2019s first recorded effort, but even with only a few years under their belt, one would have thought the end product would have been better. The production work of Vadim Rubin and Mike Siegal doesn\u2019t really help matters much.<\/p>\n<p class=\"Standard\">If there is any saving grace to <i>We Have Arrived<\/i>, it is the twin guitar work of Eric Meyer and Jim Durkin, as well as the bass guitar of Rob Yahn. All three provide the spark of hope for Dark Angel, and they make the songs as listenable as they can.<\/p>\n<p>    Every band has to start somewhere, and <i>We Have Arrived<\/i> was that tentative announcement from Dark Angel. But had this been their sole contribution to the thrash metal scene, one wonders if anyone would have even known that they left the party. This one is for diehard fans of the genre only.<\/p>\n","protected":false},"author":2,"featured_media":34616,"comment_status":"open","ping_status":"closed","template":"","meta":{"_acf_changed":false,"footnotes":""},"tags":[],"artist":[10787],"rating":[11204],"class_list":["post-46467","review","type-review","status-publish","has-post-thumbnail","artist-dark-angel","rating-rating-c-minus"],"acf":[],"_links":{"self":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review\/46467","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review"}],"about":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/types\/review"}],"author":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/comments?post=46467"}],"version-history":[{"count":0,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review\/46467\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/media\/34616"}],"wp:attachment":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/media?parent=46467"}],"wp:term":[{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/tags?post=46467"},{"taxonomy":"artist","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/artist?post=46467"},{"taxonomy":"rating","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/rating?post=46467"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}