{"id":46588,"date":"2023-03-25T00:00:00","date_gmt":"2023-03-25T00:00:00","guid":{"rendered":"https:\/\/dailyvault.adishjain.in\/index.php\/reviews\/toulouse-street-2\/"},"modified":"2023-03-25T00:00:00","modified_gmt":"2023-03-25T00:00:00","slug":"toulouse-street-2","status":"publish","type":"review","link":"https:\/\/dailyvault.adishjain.in\/index.php\/reviews\/toulouse-street-2\/","title":{"rendered":"Toulouse Street"},"content":{"rendered":"<p class=\"Standard\">Any band that is known for specific songs knows the challenge of getting the album cuts recognized as being in the same class as the hits. Sometimes, putting in the effort to listen to them is well worth the time; other times, you wonder why you even made the effort to give them a try,<\/p>\n<p class=\"Standard\">The Doobie Brothers faced such a challenge with their sophomore effort <i>Toulouse Street<\/i>, as it opened with \u201cListen To The Music\u201d and \u201cRockin\u2019 Down The Highway.\u201d Any album that had a one-two punch of songs like that, and you\u2019d be sitting there wondering, \u201cWow! What\u2019s next?\u201d<\/p>\n<p class=\"Standard\">And while this effort\u2014the first featuring bassist Tiran Porter and the dual drum attack of Michael Hossack and John Hartman\u2014is a step in the right direction, it showed that the Doobie Brothers were still learning their craft, and weren\u2019t at the top of their game just yet.<\/p>\n<p class=\"Standard\">There\u2019s no denying that the three big hits on this one\u2014the third being \u201cJesus Is Just Alright,\u201d a song that honestly was never one of my favorites\u2014put Tom Johnston and crew solidly on the AOR map. I personally don\u2019t care that these songs are now 50 years old; they still sound good and put a smile on my face when I hear them on the radio.<\/p>\n<p class=\"Standard\">So, that\u2019s 30 percent of the album declared \u201csolid.\u201d Of the remaining tracks, you occasionally hear what might have been the birth cries of such songs as \u201cBlack Water\u201d in the guitar licks, but tracks like \u201cCotton Mouth\u201d and the title song don\u2019t quite live up to early expectations. Others, such as \u201cWhite Sun,\u201d \u201cSnake Man\u201d and \u201cDon\u2019t Start Me Talkin\u2019\u201d are listenable enough, but they don\u2019t have the same level of excitement as, say, \u201cListen To The Music.\u201d Honestly, had one of these tracks been released as a single in 1972 in place of the better-known songs, we might be saying something different.<\/p>\n<p class=\"Standard\">The one undiscovered bright spot is on \u201cDisciple,\u201d a song that was too long for radio play at just under seven minutes in length, but one that suggests The Doobie Brothers were close to being locked in with their musical formula. Whether they would achieve this goal on their next disc <i>The Captain And Me\u2026<\/i> well, that\u2019s another review for another day. But \u201cDisciple\u201d has the solid songwriting and catchy guitar licks and lyrics that the hits all had, and in another era, could have been a well-played hit song.<\/p>\n<p class=\"Standard\">As it stands, though, <i>Toulouse Street<\/i> is a slight step in the right direction for The Doobie Brothers, but if you just had this and their self-titled debut to listen to, you might not have been ready to declare them as kings of their genre. It\u2019s a decent enough listen, if not just a bit bland at times.<\/p>\n","protected":false},"author":2,"featured_media":31112,"comment_status":"open","ping_status":"closed","template":"","meta":{"_acf_changed":false,"footnotes":""},"artist":[6972],"rating":[5614],"class_list":["post-46588","review","type-review","status-publish","has-post-thumbnail","artist-the-doobie-brothers","rating-rating-c-plus"],"acf":[],"_links":{"self":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review\/46588","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review"}],"about":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/types\/review"}],"author":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/comments?post=46588"}],"version-history":[{"count":0,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review\/46588\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/media\/31112"}],"wp:attachment":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/media?parent=46588"}],"wp:term":[{"taxonomy":"artist","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/artist?post=46588"},{"taxonomy":"rating","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/rating?post=46588"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}