{"id":46597,"date":"2023-04-05T00:00:00","date_gmt":"2023-04-05T00:00:00","guid":{"rendered":"https:\/\/dailyvault.adishjain.in\/index.php\/reviews\/camel\/"},"modified":"2023-04-05T00:00:00","modified_gmt":"2023-04-05T00:00:00","slug":"camel","status":"publish","type":"review","link":"https:\/\/dailyvault.adishjain.in\/index.php\/reviews\/camel\/","title":{"rendered":"Camel"},"content":{"rendered":"<p class=\"Standard\">Camel is a group that never achieved the level of success in the world of progressive rock that such acts as Yes, Wishbone Ash or Emerson, Lake &#038; Palmer, even though the musicianship and the songwriting skill was there; this much is evident in their self-titled debut release from 1973.<\/p>\n<p class=\"Standard\">So why didn\u2019t <i>Camel<\/i> excite listeners? The problem is that the music itself is not exciting; it\u2019s technical enough and performed well, but there\u2019s nothing about these seven songs that absolutely grabs the listener and makes them want to listen more.<\/p>\n<p class=\"Standard\">Believe me, I want to shout from the rooftops about how talented a guitarist and vocalist Andrew Latimer is on this disc. I want to sing the praises of keyboardist Peter Bardens, as well as the solid rhythmic backbone of bassist Doug Ferguson and drummer Andy Ward. I want to be able to tell you, the reader, that <i>Camel<\/i> is an underrated masterpiece.<\/p>\n<p class=\"Standard\">But the sad fact is this: these performances are simply musically proficient. They don\u2019t inspire the listener or suggest that they are listening to greatness. And it\u2019s the overall mediocrity of the performances that sinks this one.<\/p>\n<p class=\"Standard\">Oh, there are times of excitement\u2014specifically in the two instrumentals, \u201cSix Ate\u201d and \u201cArubaluba.\u201d It suggests to me, then, that although the shared vocals of Latimer, Bardens and Ferguson are solid enough, they tend to lull the listener into a sense of comfort\u2014so much so, in fact, that they take away from the music being presented.<\/p>\n<p class=\"Standard\">It\u2019s not that the vocals are bad. The opening track \u201cSlow Yourself Down\u201d suggests there is greatness to be heard on this disc. If only the remaining tracks featuring vocals lived up to that early promise; the follow-up track \u201cMystic Queen\u201d sounds a lot like a King Crimson leftover from the <i>In The Wake Of Poseidon<\/i> era, and is akin to a musical lullabye in its delivery.<\/p>\n<p class=\"Standard\">So what would have made <i>Camel<\/i> a better release? The thing is, I can\u2019t put my finger on it. Obviously stronger vocals would have helped, but on later releases, this style of delivery became expected (the obvious exception being the instrumental release <i>The Snow Goose<\/i>). And I don\u2019t want to come off sounding like I hated this album; indeed, I still dust it off from time to time, and there is material on it well worth the listener\u2019s money, time and attention.<\/p>\n<p>    As it sits, though, <i>Camel<\/i> seems to be a disc of unfulfilled ambition, with the occasional flares of greatness shining through. It\u2019s still worth a listen, but approach it with a bit of caution.<\/p>\n","protected":false},"author":2,"featured_media":34740,"comment_status":"open","ping_status":"closed","template":"","meta":{"_acf_changed":false,"footnotes":""},"tags":[],"artist":[6085],"rating":[5614],"class_list":["post-46597","review","type-review","status-publish","has-post-thumbnail","artist-camel","rating-rating-c-plus"],"acf":[],"_links":{"self":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review\/46597","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review"}],"about":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/types\/review"}],"author":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/comments?post=46597"}],"version-history":[{"count":0,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review\/46597\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/media\/34740"}],"wp:attachment":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/media?parent=46597"}],"wp:term":[{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/tags?post=46597"},{"taxonomy":"artist","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/artist?post=46597"},{"taxonomy":"rating","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/rating?post=46597"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}