{"id":46812,"date":"2024-01-18T00:00:00","date_gmt":"2024-01-18T00:00:00","guid":{"rendered":"https:\/\/dailyvault.adishjain.in\/index.php\/reviews\/demo-98\/"},"modified":"2024-01-18T00:00:00","modified_gmt":"2024-01-18T00:00:00","slug":"demo-98","status":"publish","type":"review","link":"https:\/\/dailyvault.adishjain.in\/index.php\/reviews\/demo-98\/","title":{"rendered":"Demo 98"},"content":{"rendered":"<p class=\"MsoNormal\">I used to have a borderline unhealthy interest in early \u201990s music from the Washington D.C. area\u2014which means this recording by a supergroup of members of some very important bands (to me, anyway) might have arrived 25 years after it was recorded, but you certainly won&#8217;t hear me complain about it.<\/p>\n<p class=\"MsoNormal\">Sarah Shannon, who fronted Velocity Girl, spearheaded this project soon after her band&#8217;s demise, recruiting Adam Wade (Jawbox, Shudder To Think, Jealous Sound, Film School) and Geoff Turner (Gray Matter, Three), plus others for six songs that sure do deserve this proper release.<\/p>\n<p class=\"MsoNormal\">\u201cWheel In A Wheel\u201d gets the listen off to a loud, buzzing start, where Wade&#8217;s thumping drums and Turner&#8217;s thick bass complement Shannon&#8217;s fuzzed out guitar and layered vocals. The lone cover, Richard Thompson&#8217;s \u201cI Want To See The Bright Lights Tonight,\u201d follows with the folk tune being turned into a more post-punk fueled display that welcomes Charles Bennington&#8217;s animated saxophone.<\/p>\n<p class=\"MsoNormal\">\u201cMarvel\u201d and \u201cI Don&#8217;t Want To See The Light\u201d land in the middle, where the former is a scrappy, pop flavored two-and-a-half minutes, the latter burns slow before segueing into a punchy, power-pop climate. Close to the end, the dreamy \u201cLearn To Ride\u201d radiates warm guitar and pretty singing amid the emotive delivery, and the jangly \u201cGone\u201d finishes with William Whistler&#8217;s whistling talents for the infectious and bouncy, upbeat exit.<\/p>\n<p>    Limited to just 300 copies on vinyl, this is a must if Velocity Girl or any of the bands the players have been involved in interest you, or if you adore pop moments packed into post-punk\/indie-rock ideas. Though most sounds in the area of punk from this part of the world are associated with Dischord Records, these tracks suit a more Simple Machines-ish roster, right alongside Tsunami.<\/p>\n","protected":false},"author":89,"featured_media":34940,"comment_status":"open","ping_status":"closed","template":"","meta":{"_acf_changed":false,"footnotes":""},"artist":[10925],"rating":[5613],"class_list":["post-46812","review","type-review","status-publish","has-post-thumbnail","artist-sarah-shannon","rating-rating-a-minus"],"acf":[],"_links":{"self":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review\/46812","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review"}],"about":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/types\/review"}],"author":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/users\/89"}],"replies":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/comments?post=46812"}],"version-history":[{"count":0,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review\/46812\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/media\/34940"}],"wp:attachment":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/media?parent=46812"}],"wp:term":[{"taxonomy":"artist","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/artist?post=46812"},{"taxonomy":"rating","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/rating?post=46812"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}