{"id":46824,"date":"2024-02-05T00:00:00","date_gmt":"2024-02-05T00:00:00","guid":{"rendered":"https:\/\/dailyvault.adishjain.in\/index.php\/reviews\/saviors\/"},"modified":"2024-02-05T00:00:00","modified_gmt":"2024-02-05T00:00:00","slug":"saviors","status":"publish","type":"review","link":"https:\/\/dailyvault.adishjain.in\/index.php\/reviews\/saviors\/","title":{"rendered":"Saviors"},"content":{"rendered":"<p class=\"MsoNoSpacing\">Well, here we are, nearly four years after the disaster that was <i>Father of All M\u2026<\/i>, a thing that barely constituted an album, something that reeked of \u201ccontractual obligation.\u201d Now the band have re-signed with Reprise, hooked back up with Rob Cavallo and taken a look back at their past to figure out where the future should go. \u201cDilemma\u201d has already become one of the best singles the band has released in over fifteen years. An autobiographical track from Billie Joe, the song looks at the mistakes he\u2019s made while being drunk. A powerful song and possibly one of the best GD songs ever.<\/p>\n<p class=\"MsoNoSpacing\">\u201cThe American Dream Is Killing Me,\u201d the album\u2019s first single, is a strong kickoff and contains a chorus that will stick in your head for a while. I didn\u2019t start off liking \u201cBobby Sox\u201d but the more I listened, the more I was intrigued. As a queer anthem, if you wanna call it that, it\u2019s serviceable but the vocals really take it over the top and \u201cLook Ma, No Brains!\u201d is a decent enough track and at two minutes easily digestible, especially after you\u2019ve heard it in a Taco Bell commercial.<\/p>\n<p class=\"MsoNoSpacing\">There\u2019s still some stellar duds on this disc including \u201c1981\u201d and the lackluster ballad \u201cGoodnight Adeline\u201d which feels like an outtake from <i>21<sup>st<\/sup> Century Breakdown<\/i>. For whatever reason, the album leans more toward the pop in pop-punk and this doesn\u2019t work for a band of guys in their fifties. I want more <i>Insomniac\/Nimrod<\/i> and less the 2012 trilogy.<\/p>\n<p class=\"MsoNoSpacing\">This album is an improvement over <i>FOAM<\/i>, but then again anything would be better than that. The middle of this album is an absolute slog to get through and a chore to deal with. Maybe cutting three songs from the tracklist would have tightened things up, but god what a bore! Luckily, \u201cStrange Days Are Here To Stay\u201d picks things up a bit and allows the record to crest towards its ending while feeling like a modern Green Day record. \u201cFather To A Son\u201d is another ballad and at this point in their career, the ballads feel like a retread instead of new and fresh.<\/p>\n<p class=\"MsoNoSpacing\">The closer, \u201cFancy Sauce,\u201d at least the title, sounds like it\u2019s from <i>FOAM <\/i>but it\u2019s a slow burn that isn\u2019t terrible. The album\u2019s title track is decent enough of a rocker, but it doesn\u2019t reach the heights of a \u201cDilemma.\u201d<\/p>\n<p>    All in all, this is a middling record and as I see it, the band\u2019s last good album outside of <i>Revolution Radio<\/i> is still <i>American Idiot<\/i>. I went into this record with high hopes and they were not met. A decent meh record; basically every GD record since 2004.<\/p>\n","protected":false},"author":91,"featured_media":34952,"comment_status":"open","ping_status":"closed","template":"","meta":{"_acf_changed":false,"footnotes":""},"tags":[],"artist":[6458],"rating":[5612],"class_list":["post-46824","review","type-review","status-publish","has-post-thumbnail","artist-green-day","rating-rating-b-minus"],"acf":[],"_links":{"self":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review\/46824","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review"}],"about":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/types\/review"}],"author":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/users\/91"}],"replies":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/comments?post=46824"}],"version-history":[{"count":0,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review\/46824\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/media\/34952"}],"wp:attachment":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/media?parent=46824"}],"wp:term":[{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/tags?post=46824"},{"taxonomy":"artist","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/artist?post=46824"},{"taxonomy":"rating","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/rating?post=46824"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}