From the \u201cno shit, Sherlock\u201d files: I am not a \u201cSwiftie.\u201d<\/p>\n
I don\u2019t dislike Taylor Swift; I\u2019ve heard enough of her music over the years to have an appreciation of her talent. But, let\u2019s be honest: I, as a middle-aged man, am hardly the target audience for Swift or her music.<\/p>\n
So, why am I here listening to her self-titled debut effort (and, as of late April 2024, one of the only two albums Swift recorded for Big Machine that she hasn\u2019t re-recorded as part of a rights dispute)? Simple: no one else (as of today) has reviewed it, and I wanted to get an idea of just where the seeds were planted for the artist who is to today\u2019s audience what Michael Jackson was in the \u201980s.<\/p>\n
Swift tried to market her music to the country world\u2014and there are certainly aspects of country music interspersed within these 15 tracks. But, Swift really wasn\u2019t a country artist at heart; there is more than a strong vein of popular music coursing through these tracks. If anything, Swift comes off as someone in the model of Carrie Underwood, in that the end result is not pure country music (whatever the hell that<\/i> would be seen as, nowadays), but had enough crossover sense to appeal to country and pop audiences.<\/p>\n
While Swift gets quite a bit of assistance in the songwriting department, she did have a hand in all 11 songs on the original album (as well as any on the deluxe editions). And, when remembering she was still a teenager when these were recorded, there is a surprising amount of maturity in these songs. From the lamentation of lost love on the album opener \u201cTim McGraw\u201d to the most-definitely country-tinged \u201cOur Song,\u201d Swift quickly shows she has the sensibilities of a well-seasoned songwriter\u2014and that\u2019s something even her harshest critics have to give her credit for.<\/p>\n
If Taylor Swift<\/i> has any real weakness, it\u2019s that some of the songs that non-Swifties would call \u201clesser known\u201d tend to blur together a bit too much. It\u2019s not that tracks like \u201cCold As You,\u201d \u201cShould\u2019ve Said No\u201d and \u201cStay Beautiful\u201d are bad; it\u2019s just that they tend not to differentiate from the stronger tracks like the oughta-be-a-rock-song \u201cPictures Of You\u201d or \u201cMary\u2019s Song (Oh My My My).\u201d The overall result is pleasant, but does suggest that Swift hadn\u2019t established the level of confidence she would on later albums.<\/p>\n
Interestingly enough, the 2008 deluxe edition shows surprising growth in Swift\u2019s songwriting (as well as in her vocals), and one can definitely hear her music veering closer to the world of pop music than, for lack of a better term, popular country. (Yes, \u201cA Perfectly Good Heart\u201d still has a country orientation.) Why these tracks weren\u2019t included on the original disc, I don\u2019t know; all I do know is they make the product better. (Even a second, poppier version of \u201cTeardrops On My Guitar\u201d only adds to the intrinsic value of the original album\u2014though I\u2019d have dropped the echo on Swift\u2019s vocals.)<\/p>\n
Taylor Swift<\/i> is a fairly solid first step into what has proven to be a solid career, and while it is a bit tentative in areas, clearly showed that Swift was going to be a force to be reckoned with in the musical world. Take it from a non-Swiftie: this one is indeed worth checking out.<\/p>\n","protected":false},"author":2,"featured_media":35007,"comment_status":"open","ping_status":"closed","template":"","meta":{"_acf_changed":false,"footnotes":""},"artist":[8647],"rating":[5615],"class_list":["post-46879","review","type-review","status-publish","has-post-thumbnail","artist-taylor-swift","rating-rating-b"],"acf":[],"_links":{"self":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review\/46879","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review"}],"about":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/types\/review"}],"author":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/comments?post=46879"}],"version-history":[{"count":0,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review\/46879\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/media\/35007"}],"wp:attachment":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/media?parent=46879"}],"wp:term":[{"taxonomy":"artist","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/artist?post=46879"},{"taxonomy":"rating","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/rating?post=46879"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}