{"id":46886,"date":"2024-05-07T00:00:00","date_gmt":"2024-05-07T00:00:00","guid":{"rendered":"https:\/\/dailyvault.adishjain.in\/index.php\/reviews\/as-bs-1964-1967\/"},"modified":"2024-05-07T00:00:00","modified_gmt":"2024-05-07T00:00:00","slug":"as-bs-1964-1967","status":"publish","type":"review","link":"https:\/\/dailyvault.adishjain.in\/index.php\/reviews\/as-bs-1964-1967\/","title":{"rendered":"A&#8217;s &#038; B&#8217;s 1964-1967"},"content":{"rendered":"<p class=\"\u201cMsoNormal\u201d\">The Spencer Davis Group was an influential rhythm &#038; blues-based rock band that was part of the 1960s British Invasion. Always more popular in their native country than the United States, Spencer Davis (guitar), a young Stevie Winwood (keyboards and vocals), Muff Winwood (bass), and Peter York (drums) are best remembered in America for their successful singles \u201cI\u2019m A Man\u201d and \u201cGimme Some Lovin.\u201d <\/p>\n<p class=\"\u201cMsoNormal\u201d\"><i>A\u2019s &#038; B\u2019s <\/i>is a compilation of their English singles released on the Fontana Label including their two number ones, \u201cI\u2019ll Come Running\u201d and \u201cSomebody Help Me.\u201d When all their singles are gathered together in one place, it makes for an excellent compendium of gritty 1960s British rock, similar to The Animals and The Yardbirds.<\/p>\n<p class=\"\u201cMsoNormal\u201d\">The singles that brought the group success in the United States were different than the ones in England. Their U.S. singles focused on a fuller rock and roll sound rather than simple rhythm and blues. \u201cI\u2019m A Man\u201d and \u201cGimme Some Lovin\u2019\u201d have a sound that belies only four instruments; Winwood\u2019s keyboards and Davis\u2019s guitar work combine to make the songs leap out of the speakers. Popular English songs such as \u201cI\u2019ll Come Running,\u201d \u201cSomebody Help Me,\u201d \u201cLet Me Down Easy,\u201d and \u201cIt Hurts Me So\u201d were stripped down to basics and fused R&#038;B music with Winwood\u2019s rock \/pop vocals.<\/p>\n<p class=\"\u201cMsoNormal\u201d\">Among the nearly 40 tracks found here are a number of rarely heard and remembered B sides from singles, the best of which have an improvisational feel. \u201cStevie\u2019s Blues,\u201d \u201cBlues In F,\u201d and \u201cNeighbor Neighbor\u201d are vehicles for Winwood to experiment, which he would take with him into the future. <\/p>\n<p class=\"\u201cMsoNormal\u201d\">The Spencer Davis Group was a typical 1960s group, which meant a number of cover songs made an appearance on the flip side of their single releases. \u201cMean Woman Blues,\u201d \u201cGeorgia On My Mind,\u201d and \u201cWhen A Man Loves A Woman\u201d remain interesting takes of these oft-recorded songs. <\/p>\n<p class=\"\u201cMsoNormal\u201d\">The group would remain together off and on for nearly half a century, with a lot or personnel changes. Their classic period ended when Winwood left the band in the late Sixties to form Traffic.<\/p>\n<p>    <i>A\u2019s &#038; B\u2019s 1964-1967 <\/i>is in many ways a time capsule of the era. Some of the tracks remain vital pieces of rock and roll history, while others amount to average remnants of the time period. But, when the Spencer Davis Group was good, they were very good.<\/p>\n","protected":false},"author":59,"featured_media":35012,"comment_status":"open","ping_status":"closed","template":"","meta":{"_acf_changed":false,"footnotes":""},"artist":[10959],"rating":[5615],"class_list":["post-46886","review","type-review","status-publish","has-post-thumbnail","artist-spencer-davis-group","rating-rating-b"],"acf":[],"_links":{"self":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review\/46886","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review"}],"about":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/types\/review"}],"author":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/users\/59"}],"replies":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/comments?post=46886"}],"version-history":[{"count":0,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review\/46886\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/media\/35012"}],"wp:attachment":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/media?parent=46886"}],"wp:term":[{"taxonomy":"artist","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/artist?post=46886"},{"taxonomy":"rating","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/rating?post=46886"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}