A logical extension of the “sophomore slump” is, if you’ll
forgive me running the metaphor into the ground, the “junior
jitters.” In other words, you’ve put out one incredible album and
one disappointing one; what the third one looks like is, in truth,
a measure of the artist’s resiliency and staying power.
Nickel Creek is a textbook example. No one can argue that the
band’s core of Sean and Sara Watkins and Chris Thile aren’t
talented. The question is whether they could recover from a second
CD (
This Side) that, frankly, I thought was a bit underplayed,
forced and awkward. When
Why Should The Fire Die? arrived in my mailbox, I approached
it with an odd mix of anticipation and apprehension.
Turns out I shouldn’t have worried.
Fire is a brilliant CD.
First off, the bass is back. Tracks like “Can’t Complain” and
“Stumptown” have real thumping bass sound to them, courtesy of Mark
Schatz. Secondly, the production is clear and crisp, a definite
improvement over
This Side‘s shallow and ephemeral sound.
It’s the songwriting, though, that really takes this CD into the
realms of greatness. Nickel Creek is branching out and taking
risks, and it shows. At their core on tracks like “First And Last
Waltz” and “Doubting Thomas” their sound is still newgrass – but
songs like “Best Of Luck” (with a driving acoustic guitar intro
that wouldn’t be out of place on an alternative CD) and “Somebody
More Like You” show them branching out into musical forms that are
almost unquantifiable. The risks they take, the defiance of form,
is almost breathtaking in places.
Then, of course, there’s “When In Rome.”
I had complained in my review of This Side that there was no
“Reasons Why” on their second CD. (For those of you who have
somehow missed it, “Reasons Why”, from Nickel Creek’s first
self-titled CD, is one of the greatest songs every written and has
more hooks than a bass-fishing contest). Not so on
Why Should The Fire Die? — the CD had me from the opening
track, “When In Rome,” which is just a great damn song with soaring
harmonies and a driving, minor-key instrumental line.
Why Should The Fire Die?, indeed. In fact, it hasn’t died,
it’s just gotten hotter and more intense. Nickel Creek has once
again proven why they’re one of the more innovative and talented
musical acts in America today.
