It wasn’t that long ago that I reviewed the first solo album
from the Fly-Rite Boys, who normally perform with Robert “Big
Sandy” Williams. Now, fresh on the heels of the Fly-Rite Boys’s
effort comes the first solo disc from Big Sandy himself,
Dedicated To You.
While it is noble that some artists have made it their lives to
preserve the sound and feel of music form the early days of rock
and roll, this disc does prove that too much of a good thing can be
bad.
Big Sandy employs the assistance of legendary ’50s doo-wop
artists The Calvanes and pianists Dewey Terry (who also contributes
a guitar solo and vocal), Skip Edwards and Carl Sonny Leyland to
help flesh out the sound of the band – and their influence is
clearly felt throughout the disc. If you are a Baby Boomer (or,
like me, you’re the child of one and have grown up listening to the
oldies station with them), you might often find yourself doing a
double-take when listening to Big Sandy. With more than a touch of
Elvis Presley in his voice, you might find it difficult to believe
you’re listening to a product from 1998, and not 1955.
And there’s no doubting that Big Sandy and his backing group
tackle this collection of 15 covers of older doo-wop songs (and one
original snuck in) with the resolve of bringing joy to those who
listen to it. Songs like “Lonely Guy,” “Pretty Girls Everywhere”
and “I’m Leavin’ It All Up To You” (featuring a vocal from Dewey
Terry, who sang on the original version as well) all send chills of
pleasure down the listener’s spine.
What Big Sandy doesn’t recognize on
Dedicated To You is that this style of music is tolerable
for a limited amount of time. When you start grabbing songs like
“Death Of An Angel,” the true-to-form of the original really grates
on you. The crying in the background almost made me think I was
listening to Johnnie Ray (the original was done by Donald Woods). I
don’t remember any of the teen-death songs of that era actually
featuring weeping in the background. (For that matter, I haven’t
heard any song featuring crying that I’ve liked – ever.)
And while many of the selections featured here are songs that
Big Sandy grew up listening to, odds are that even some Baby
Boomers might have a difficult time recognizing some of these songs
from the days of their youth. (I have yet to test this disc on my
father, who listened to the oldies so much that he got me
interested in them. My dad likes to say that I know the oldies and
the artists better than he does.)
Dedicated To You is still a fun album to listen to, but it’s
not one that’s easily dealt with in one sitting. Had Big Sandy
chosen a few different cuts than almost all obscure numbers, this
might have been a more approachable disc. Still, there’s room for a
lot of smiles.
