For Swedish bands, there
is life after Abba. Drain S.T.H. is proof.
This four-piece female quartet from Stockholm take on the
standard image of hard rock and challenge it to conform to their
sound and style. The end result,
Horror Wrestling, could be one of the most exciting releases
this year.
The band (vocalist Maria Sjöhölm, guitarist Flavia
Canel, bassist Anna Kjellberg and drummer Martina Axén)
hardly sounds like an all-female band, something that works to
Drain S.T.H.’s benefit. Any prejudices some people might have to
such a lineup disappear with the opening notes of “Crack The Liar’s
Smile” (acoustic guitar leading into a sonic attack). Canel’s
guitar style is incredibly solid, and though she chooses to make
her solos an intregal part of the songs, I found myself wishing she
would cut loose at some point.
The treasure on
Horror Wrestling is “Serve The Shame,” a song that
demonstrates the magnificent vocal harmonies this band has. The
song is instantly addictive, crossing several musical genre
boundaries to reach as many listeners as possible. The acoustic
version tacked onto the end of the album is just as good, powered
again by the vocal harmonies. Other songs like “Someone,”
“Crucified” and “Mind Over Body” continue the strong case for Drain
S.T.H.
Drain S.T.H. even dares to challenge the listener by introducing
different rhythm patterns that will catch you off-guard if you’re
not careful. It takes a little time to get into cuts like “Smile”
that utilize these, but it’s well worth the effort.
The second side of
Horror Wrestling takes a little more effort to get through,
but is a journey worth taking nonetheless. In fact, the only
mistake the band makes at all is their stuck-in-first-gear cover of
Motorhead’s “Ace Of Spades”. Sorry, ladies, but this is a song that
was meant to blaze through with no musical brakes. It’s an
admirable effort, but pales in comparison to the real thing.
Although the singing is very clear on
Horror Wrestling, there are times when I wish that
Sjöhölm’s vocals had been brought a little more to the
front of the mix. Her voice is clear and powerful, and I wish I had
been able to hang onto every word she sang.
Horror Wrestling is a powerful first effort from a band
whose word-of-mouth following in this country has spread thanks to
numerous tours (including a stint on the OZZfest last year). If
Horror Wrestling is any indication of this band’s true
power, then they could find themselves as superstars in America in
no time flat.
