It finally had to happen. After all the American bands over the
last ten years who tried to play Irish music with varying levels of
success, an Irish band has decided to play American traditional
music. (And some Irish too, don’t get me wrong.) Rig The Jig is the
band in question, and I’m happy to report that they do a bang-up
job no matter which side of the Atlantic they’re playing. Their
latest CD,
Passing Through, is a delightful romp through the best of
barroom folk in both countries.
Basically an acoustic outfit, Rig The Jig’s sound is stripped
down, straightforward, and easy to listen to. There’s nothing
terribly fancy here, but what there is is done to a turn. The
musicianship is outstanding on
Passing Through; whether it be banjo, uilleann pipe, or
barrelhouse piano, the sound is clear and true.
What really makes Rig The Jig something special is the song
choice. The album starts out with a straightforward jig — and just
when you think you know what you have in your CD player, they’re
suddenly taking a whack at Rory Gallagher’s “Barley And Grape Rag”
or Leonard Cohen’s “Passing Through.” You don’t hear a lot of Irish
bands who can handle the bounce from “Raglan Road” to Johnny Cash’s
“I Still Miss Someone.” Their version of “City Of New Orleans” is
sweet, perhaps the sweetest version I’ve heard since Arlo Guthrie’s
original.
Rig The Jig is, in the long run, one of the most enjoyable Irish
bands I’ve heard in a long time. Far from a novelty act, they’ve
proved on
Passing Through that they can handle multiple musical worlds
with equal grace, and that’s really something special.
