It has been nearly four years since The Quiet Room graced these
pages with their disc
Introspect. In that time, a lot has changed, both within the
band and in the genre of heavy metal. Where this Denver-based
sextet once earned comparisons to Queensryche, they now would be
lumped into the heading of “prog-rock” that our parents, raised on
a diet of ELP, Yes and Gentle Giant, would not recognize.
Part of the style change for The Quiet Room is due to the fact
that half of the band who recorded
Introspect are gone. New vocalist Pete Jewell helps lead The
Quiet Room into a more progressive vein on their latest disc,
Reconceive, and the change isn’t necessarily for the better.
Where they were once innovators, they now are just part of the sled
dog team. (You know the old saying: If you’re not the lead dog, the
scenery never changes.)
What’s interesting about this album is that it almost begs the
listener to read the lyrics while the disc is playing. On its own,
the 11 songs on
Reconceive have moments of greatness but eventually fall a
bit flat, their messages lost in the ozone. But one read of the
lyric sheet, and you’ll learn there’s some substance to the music.
With subjects such as racism (“Your Hate”), improper control
(“Controlling Nation” – though it’s left to the listener to decide
whether the band is talking about a country’s leader), answering
for one’s life decisions (“Face Your Judgment”) and the destructive
power of anger (“Less Than Zero”), The Quiet Room dare to make the
listener think. This, in and of itself, is not a bad thing at
all.
What the band needs, though, is a more powerful musical vehicle
to back it up. This is where the differences between
Introspect and
Reconceive are the most clear. Jewell is a decent enough
singer, but he doesn’t seem like he’s the perfect match for the
more cerebral style of songs the band is writing. Maybe that’s the
disappointment I have with
Reconceive; there is so much promise this band has to offer,
and they just weren’t able to live up to those expectations this
time around.
Special mention should be given to the instrumental track “Room
15,” giving an almost Dream Theater-like feel to the band. Their
moving towards prog-rock isn’t necessarily the problem, and this
particular track shows they can handle the genre well.
Reconceive is an album that seems to promise much from The
Quiet Room, and they don’t quite make it to the finish line. I said
four years ago that this band had a good future ahead of them, and
I still believe that. But they do need to find the right chemistry
if they want to keep slugging it out in the prog-metal genre.
