Time for the reviewer to wear his heart on his sleeve: I’ve had
a pretty crappy couple of days in terms of my personal life. It’s
at times like these when I turn away from the high-energy,
high-decibel rock and roll that I love so much and find myself
listening to music which, though beautiful, is enough for me to
keep my depression going. Make no mistake, that’s where I want to
be at that moment.
It may be wrong to classify Josh Groban as a depressing
vocalist, and I don’t mean to slight him in any way. But I’ve found
myself listening to his self-titled debut album non-stop in the
last few days, and it truly is an amazing release. For a young man
all of 20 years old, Groban has a set of pipes on him which rival
those of Andrea Bocelli, albeit with not as much seasoning. But
this disc suggests that Groban is most definitely a name to
remember.
Josh Groban is unique in a few ways. First, Groban is not afraid
to mix traditional classical vocals (performed in Italian) with
adult-contemporary songs sung in English. (Groban is a Los Angeles
native, making his mastery of the foreign-language numbers
astounding.) Second, Groban performs songs which dare to pull at
both the heart strings and the brain, creating songs which move the
listener in many different ways. Only the hardest of hearts won’t
be melted by songs like “You’re Still You,” “To Where You Are” and
“Home To Stay,” three of the tracks I’ve been listening to
incessantly.
Third, Groban dares to take standards from other artists’
catalogues and try to make them his own. Admittedly, this is where
Groban stumbles slightly. His rendition of “Vincent” is quite nice,
even if I wish he had sung the entire third verse instead of coming
in on the second part. Likewise, he does an admirable job on “The
Prayer,” a duet with Charlotte Church, but it fails to live up to
the version by Bocelli and Celine Dion. Sorry, Josh, but while your
effort is nice, Bocelli is a tough act to follow — and while I’m
no fan of Dion, she is superior on this song to Church.
In the end, though,
Josh Groban remains a very pleasant, even deep at times,
album that dares to bring contemporary classical into the homes of
modern-day America. Whether it’s tackling pieces from Cirque du
Soleil (“Let Me Fall”) or being part of a masterful rendition of
Bach’s “Jesu, Joy Of Man’s Desiring” featuring violinist Lili
Haydn, Groban creates a disc which is one step short of a
masterpiece. Whether you like classical, opera, adult-contemporary
or rock, Josh Groban is the kind of disc that will bridge all gaps
between music fans and unite them under one umbrella.
