Living My Life

Label: IslandYear: 1982Artist Website: www.theworldofgracejones.com/
Review by Mark Millan
3 Min Read

Living My Life was Grace Jones’ sixth album in six years. It was also the third and final release that she cut with the team at Compass Point Studios in the Bahamas. It was probably a good time to end the dream team, though, because while this record contains some brilliant tracks, it is not as consistent as its predecessors Warm Leatherette and Nightclubbing

The same musicians (Sly Dunbar, Barry Reynolds, and co.) and producers (Chris Blackwell and Alex Sadkin) once again gathered together to make magic, and this time Jones co-wrote all but one song on the album. While this was probably a necessary part of her development, it meant for a couple of weak tracks that this album could have done without – those being “Everybody Hold Still” and “Inspiration,” which just sound lifeless and generic when compared to the prime cuts to be found here. 

The album kicks off with one of Jones’ best songs, a reggae/pop gem “My Jamaican Guy” that harbors a seriously catchy groove and great lyrics. The same can be said for “Nipple To The Bottle,” which has become another Jones classic and has been sampled several times over the years as well. “Cry Now, Laugh Later” is a Jones/Reynolds collaboration that is very Prince-like in its approach and execution; it’s good but not great. 

The pair also wrote the album’s closer, the beautiful “Unlimited Capacity For Love.” It is the quintessential Grace Jones love song; she rarely records them, so this is still a treat to hear. The New York-inspired “The Apple Stretching” is the most upbeat song on the record, and Jones gives one of her rare carefree deliveries that are always fun to hear. 

Living My Life got the job done and delivered more hit singles for Jones, but while her partnership with Compass Point was a truly rewarding one, something about this albums tells me it was time to move on and cover some new ground. Jones did just that with her autobiographical high-concept album Slave To The Rhythm, with which she enjoyed some major critical success.  That album’s original concept of reworking the same song several times to tell her story was a bold and brave move, which now makes Living My Life seem a bridge record of sorts, but still an important one for Grace Jones. 

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BORN: October 1979 JOINED THE DV STAFF: June 2008 / March 2020 HOMETOWN: Melbourne, Australia NOW LIVING IN: Bayside, Melbourne, Australia SPOUSE / KIDS?: No / no FAVORITE ARTIST: Bob Dylan OTHER ARTISTS I LIKE: Tina Turner, Cheap Trick, Blondie, Renee Geyer, The Rolling Stones, Prince, Grace Jones, Cher, Lady Gaga, Europe, David Bowie, Madonna, Nelly, Whitesnake, Robert Plant, Sade, Tom Petty & The Heartbreakers, Mary J Blige, Patti Smith, The Police/Sting, Alice Cooper. BEER: Just the occasional wine and vodka these days. OTHER HOBBIES: Gigs, music, beach, reading too many books, movies, gym, chilling, AFL. PERSONAL MOTTO: “Here’s to feeling good, all the time.” – Cosmo Kramer. I WRITE MUSIC REVIEWS BECAUSE: ...I love albums and can’t imagine purchasing music any other way. It’s also not cool to bore my friends with all of this...

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