In late ’70s,
Sad Wings Of Destiny and
Sin After Sin were heavy enough for heavy metal. However,
for the most part, punk beat heavy metal in terms of attitude,
speed and nihilism. Coming from the same region that some of the
most definitive punk was berthed, Judas Priest spent no time trying
to one-up punk in terms of relevance, speed and sheer savagery with
the release of
Stained Class.
With
Stained Class, Judas Priest helped usher in the wave of “new
metal”: primarily British-oriented, death and S&M-obsessed
lyrics and enough leather to rival a rodeo. Sure, time has dulled
some of the fright of Rob Halford’s dentist-drill vocals and the
dual-guitar attack of K.K. Downing and Glenn Tipton. But for the
most part,
Stained Class remains a tight and focused 45 minutes of
fury.
“White Heat, Red Hot” and “Beyond The Realms of Death” are
immortal heavy metal songs, not to mention the anti-religious
hypocrisy oath “Saints in Hell.” While their previous efforts were
good enough to make a name for themselves,
Stained Class elevated Priest to the realm of innovators.
Musically, Judas Priest adds more harmony muscle while remaining
loud and ominous.
Unfortunately, what made
Stained Class more famous since the mid-’80s was its center
in a teen suicide case. Their cover of Gary Wright’s/Spooky Tooth’s
“Better By You, Better Than Me” allegedly had subliminal messages
promoting suicide. The fact that this was able to land into a
courtroom was more frightening than anything in the song.
Even with its controversy,
Stained Class has only improved in prestige, especially
knowing about Halford’s openness about his own sexuality in the
past few years. Still, strip
Stained Class of the controversy and the gossip about
Halford and you still have an album that is a must-have for metal
fans.
