These days, it seems like a lot of older country musicians are
finding religion. I don’t know if Johnny Cash had been singing
songs like “Why Me Lord” before
American Recordings, but his delivery made it sound like he
meant every word he was singing. It was not overtly religious –
though I go to church every week, I don’t like being hit over the
head by what I call “Jesus-freak” messages – but it was enough to
make you think.
Same goes for Billy Joe Shaver, one of the founders of outlaw
country music. After spending a lifetime imbibed with drink and
drug, a near death experience brought his life and actions back
into focus. One result of this is the latest release from Shaver,
Victory, an album featuring Shaver and his son Eddy.
If you’re not into the religion thing, but you like folk-based
country, you might want to put your biases on the side for the 37
minutes this disc plays, and just take in the music itself. Both
father and son are competent musicians (Eddy is excellent on the
dobro), while Billy Joe proves that time hasn’t taken any power out
of his vocals. The opening a capella piece “Son Of Cavalry” is a
bit shaky without any instrumentation, but it is an emotional raw
nerve that had to be brought to the forefront to kick this project
off.
Not all of the music on
Victory has overt religious tones. “Cowboy Who Started The
Fight” almost reminds me of the late Townes Van Zandt in Shaver’s
ability to paint a picture with the story he tells. Likewise, “Old
Five And Dimers” appears to be somewhat autobiographical, and if
anything, is too short.
When Shaver does turn to a more spiritual side of his music, the
results are often quite good. “You Can’t Beat Jesus Christ” is a
little hokey as a “praise-the-Lord” song, while tracks like “When
The Fallen Angels Fly” and “If I Give My Soul” sing of a man who’s
wasted his life hoping for one more chance to prove himself worthy.
These tracks pull on your heart strings, whatever your view of God
is, and are quite enjoyable.
For the most part, the key word to describe
Victory is emotion. You can hear the happiness in “I’m In
Love” and “Live Forever”; you can hear the fear in “If I Give My
Soul”. If Shaver has accomplished anything with this album, he has
laid his life out clearly, and makes all his emotions felt by the
listener.
The two shorter numbers that close out
Victory, “Presents From The Past” and “The Bow And The
Arrow,” are not of the same caliber as the bulk of the album, but
are worth investigating nonetheless.
And to be frank, I usually don’t look forward to listening to
albums with religious underpinnings; I always expect them to be
preachy and boring. To Shaver’s credit, both father and son keep
things exciting from beginning to end, and show just how good the
country genre can be – even if they are talking about God in many
of the tracks.
It took a moment of staring death in the face for Shaver to come
up with the life experience that started
Victory as a project; for that, we should be thankful that
such an album exists.
