There comes a time in most bands’ lives when they attempt to
seek creative higher ground, and try to do things in a different
way. This period of profound enlightenment sometimes has a funny
relationship with the success of the band. For example, a band hits
really big, and no sooner, they are in a deep creative process.
For U2, considering their longevity and success, this exercise
had to come about sometime, and began with
The Joshua Tree follow-up
Achtung Baby, where huge glimpses of the band’s constructive
fooling around with dance music could be heard. U2 took this urge
for creative fulfillment even further, and into their supporting
conceptual ‘Zoo TV’ live tour.
In what seems like the effect of
Achtung Baby and the “Zoo TV” tour, the effusive ‘creative’
phase came about again for U2 with
Zooropa, but this time, the band has connected to dance
music on a subtle and totally different plane.
Zooropa is, to date, U2’s most experimental and complicated
record. It has got all sorts of weirdly interesting things
happening in it. The album has The Edge singing, or rapping, or
whatever he does on “Numb.” It has a celebrity on one of its songs
— Johnny Cash singing “The Wanderer.” It also has Bono doing his
“The Fly” ‘fat lady’ vocals all over the record.
But, importantly, there are the songs themselves. The subtle
inclusions of unusable sound-bytes lifted from advertisements from
the band’s television set, or the crazy guitar and synthesizers
that sound so unlike the U2 that we’ve all been hearing for the
last so many years, create another dimension to the sound of the
band, and make the record sound ‘media-driven’ and
‘technology-inspired’, which it is — ”
Zooropa …vorsprung durch technik (roughly translated,
‘advancement through technology’)…
Zooropa …fly the friendly skies through appliance of
science,” sings Bono on the title track.
Zooropa is an album of non-identical songs, juxtaposed to
give this one absolutely vague-sounding record.
Zooropa makes U2 sound not like demigods of rock n’ roll
with humongous success. It makes the band sound rather like a bunch
of musicians on a fearless journey to explore the depths and widths
of their creative capabilities. This is a good thing because, minus
all the façade of stardom, the sound of the album turns out
totally without any pretenses and honest — but still crazy.
